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CHAPTER VIII UP CHAPTER X CHAPTER IX Mrs. Rachel Lynde Is Properly Horrified Anne had been a fortnight at Green Gables before Mrs. Lynde arrived to inspect her. Mrs. Rachel, to do her justice, was not to blame for this. A severe and unseasonable attack of grippe had confined that good lady to her house ever since the occasion of her last visit to Green Gables. Mrs. Rachel was not often sick and had a well-defined contempt for people who were; but grippe, she asserted, was like no other illness on earth and could only be interpreted as one of the special visitations of Providence. As soon as her doctor allowed her to put her foot out-of-doors she hurried up to Green Gables, bursting with curiosity to see Matthew and Marilla s orphan, concerning whom all sorts of stories and suppositions had gone abroad in Avonlea. Anne had made good use of every waking moment of that fortnight. Already she was acquainted with every tree and shrub about the place. She had discovered that a lane opened out below the apple orchard and ran up through a belt of woodland; and she had explored it to its furthest end in all its delicious vagaries of brook and bridge, fir coppice and wild cherry arch, corners thick with fern, and branching byways of maple and mountain ash. She had made friends with the spring down in the hollow-- that wonderful deep, clear icy-cold spring; it was set about with smooth red sandstones and rimmed in by great palm-like clumps of water fern; and beyond it was a log bridge over the brook. That bridge led Anne s dancing feet up over a wooded hill beyond, where perpetual twilight reigned under the straight, thick-growing firs and spruces; the only flowers there were myriads of delicate "June bells," those shyest and sweetest of woodland blooms, and a few pale, aerial starflowers, like the spirits of last year s blossoms. Gossamers glimmered like threads of silver among the trees and the fir boughs and tassels seemed to utter friendly speech. All these raptured voyages of exploration were made in the odd half hours which she was allowed for play, and Anne talked Matthew and Marilla half-deaf over her discoveries. Not that Matthew complained, to be sure; he listened to it all with a wordless smile of enjoyment on his face; Marilla permitted the "chatter" until she found herself becoming too interested in it, whereupon she always promptly quenched Anne by a curt command to hold her tongue. Anne was out in the orchard when Mrs. Rachel came, wandering at her own sweet will through the lush, tremu- lous grasses splashed with ruddy evening sunshine; so that good lady had an excellent chance to talk her illness fully over, describing every ache and pulse beat with such evident enjoyment that Marilla thought even grippe must bring its compensations. When details were exhausted Mrs. Rachel introduced the real reason of her call. "I ve been hearing some surprising things about you and Matthew." "I don t suppose you are any more surprised than I am myself," said Marilla. "I m getting over my surprise now." "It was too bad there was such a mistake," said Mrs. Rachel sympathetically. "Couldn t you have sent her back?" "I suppose we could, but we decided not to. Matthew took a fancy to her. And I must say I like her myself-- although I admit she has her faults. The house seems a different place already. She s a real bright little thing." Marilla said more than she had intended to say when she began, for she read disapproval in Mrs. Rachel s expression. "It s a great responsibility you ve taken on yourself," said that lady gloomily, "especially when you ve never had any experience with children. You don t know much about her or her real disposition, I suppose, and there s no guessing how a child like that will turn out. But I don t want to discourage you I m sure, Marilla." "I m not feeling discouraged," was Marilla s dry response. "when I make up my mind to do a thing it stays made up. I suppose you d like to see Anne. I ll call her in." Anne came running in presently, her face sparkling with the delight of her orchard rovings; but, abashed at finding the delight herself in the unexpected presence of a stranger, she halted confusedly inside the door. She certainly was an odd-looking little creature in the short tight wincey dress she had worn from the asylum, below which her thin legs seemed ungracefully long. Her freckles were more numerous and obtrusive than ever; the wind had ruffled her hatless hair into over-brilliant disorder; it had never looked redder than at that moment. "Well, they didn t pick you for your looks, that s sure and certain," was Mrs. Rachel Lynde s emphatic comment. Mrs. Rachel was one of those delightful and popular people who pride themselves on speaking their mind without fear or favor. "She s terrible skinny and homely, Marilla. Come here, child, and let me have a look at you. Lawful heart, did any one ever see such freckles? And hair as red as carrots! Come here, child, I say." Anne "came there," but not exactly as Mrs. Rachel expected. With one bound she crossed the kitchen floor and stood before Mrs. Rachel, her face scarlet with anger, her lips quivering, and her whole slender form trembling from head to foot. "I hate you," she cried in a choked voice, stamping her foot on the floor. "I hate you--I hate you--I hate you--" a louder stamp with each assertion of hatred. "How dare you call me skinny and ugly? How dare you say I m freckled and redheaded? You are a rude, impolite, unfeeling woman!" "Anne!" exclaimed Marilla in consternation. But Anne continued to face Mrs. Rachel undauntedly, head up, eyes blazing, hands clenched, passionate indignation exhaling from her like an atmosphere. "How dare you say such things about me?" she repeated vehemently. "How would you like to have such things said about you? How would you like to be told that you are fat and clumsy and probably hadn t a spark of imagination in you? I don t care if I do hurt your feelings by saying so! I hope I hurt them. You have hurt mine worse than they were ever hurt before even by Mrs. Thomas intoxicated husband. And I ll NEVER forgive you for it, never, never!" Stamp! Stamp! "Did anybody ever see such a temper!" exclaimed the horrified Mrs. Rachel. "Anne go to your room and stay there until I come up," said Marilla, recovering her powers of speech with difficulty. Anne, bursting into tears, rushed to the hall door, slammed it until the tins on the porch wall outside rattled in sympathy, and fled through the hall and up the stairs like a whirlwind. A subdued slam above told that the door of the east gable had been shut with equal vehemence. "Well, I don t envy you your job bringing THAT up, Marilla," said Mrs. Rachel with unspeakable solemnity. Marilla opened her lips to say she knew not what of apology or deprecation. What she did say was a surprise to herself then and ever afterwards. "You shouldn t have twitted her about her looks, Rachel." "Marilla Cuthbert, you don t mean to say that you are upholding her in such a terrible display of temper as we ve just seen?" demanded Mrs. Rachel indignantly. "No," said Marilla slowly, "I m not trying to excuse her. She s been very naughty and I ll have to give her a talking to about it. But we must make allowances for her. She s never been taught what is right. And you WERE too hard on her, Rachel." Marilla could not help tacking on that last sentence, although she was again surprised at herself for doing it. Mrs. Rachel got up with an air of offended dignity. "Well, I see that I ll have to be very careful what I say after this, Marilla, since the fine feelings of orphans, brought from goodness knows where, have to be considered before anything else. Oh, no, I m not vexed--don t worry yourself. I m too sorry for you to leave any room for anger in my mind. You ll have your own troubles with that child. But if you ll take my advice--which I suppose you won t do, although I ve brought up ten children and buried two--you ll do that `talking to you mention with a fair- sized birch switch. I should think THAT would be the most effective language for that kind of a child. Her temper matches her hair I guess. Well, good evening, Marilla. I hope you ll come down to see me often as usual. But you can t expect me to visit here again in a hurry, if I m liable to be flown at and insulted in such a fashion. It s something new in MY experience." Whereat Mrs. Rachel swept out and away--if a fat woman who always waddled COULD be said to sweep away--and Marilla with a very solemn face betook herself to the east gable. On the way upstairs she pondered uneasily as to what she ought to do. She felt no little dismay over the scene that had just been enacted. How unfortunate that Anne should have displayed such temper before Mrs. Rachel Lynde, of all people! Then Marilla suddenly became aware of an uncomfortable and rebuking consciousness that she felt more humiliation over this than sorrow over the discovery of such a serious defect in Anne s disposition. And how was she to punish her? The amiable suggestion of the birch switch--to the efficiency of which all of Mrs. Rachel s own children could have borne smarting testimony-- did not appeal to Marilla. She did not believe she could whip a child. No, some other method of punishment must be found to bring Anne to a proper realization of the enormity of her offense. Marilla found Anne face downward on her bed, crying bitterly, quite oblivious of muddy boots on a clean counterpane. "Anne," she said not ungently. No answer. "Anne," with greater severity, "get off that bed this minute and listen to what I have to say to you." Anne squirmed off the bed and sat rigidly on a chair beside it, her face swollen and tear-stained and her eyes fixed stubbornly on the floor. "This is a nice way for you to behave. Anne! Aren t you ashamed of yourself?" "She hadn t any right to call me ugly and redheaded," retorted Anne, evasive and defiant. "You hadn t any right to fly into such a fury and talk the way you did to her, Anne. I was ashamed of you-- thoroughly ashamed of you. I wanted you to behave nicely to Mrs. Lynde, and instead of that you have disgraced me. I m sure I don t know why you should lose your temper like that just because Mrs. Lynde said you were red-haired and homely. You say it yourself often enough." "Oh, but there s such a difference between saying a thing yourself and hearing other people say it," wailed Anne. "You may know a thing is so, but you can t help hoping other people don t quite think it is. I suppose you think I have an awful temper, but I couldn t help it. When she said those things something just rose right up in me and choked me. I HAD to fly out at her." "Well, you made a fine exhibition of yourself I must say. Mrs. Lynde will have a nice story to tell about you everywhere--and she ll tell it, too. It was a dreadful thing for you to lose your temper like that, Anne." "Just imagine how you would feel if somebody told you to your face that you were skinny and ugly," pleaded Anne tearfully. An old remembrance suddenly rose up before Marilla. She had been a very small child when she had heard one aunt say of her to another, "What a pity she is such a dark, homely little thing." Marilla was every day of fifty before the sting had gone out of that memory. "I don t say that I think Mrs. Lynde was exactly right in saying what she did to you, Anne," she admitted in a softer tone. "Rachel is too outspoken. But that is no excuse for such behavior on your part. She was a stranger and an elderly person and my visitor--all three very good reasons why you should have been respectful to her. You were rude and saucy and"--Marilla had a saving inspiration of punishment--"you must go to her and tell her you are very sorry for your bad temper and ask her to forgive you." "I can never do that," said Anne determinedly and darkly. "You can punish me in any way you like, Marilla. You can shut me up in a dark, damp dungeon inhabited by snakes and toads and feed me only on bread and water and I shall not complain. But I cannot ask Mrs. Lynde to forgive me." "We re not in the habit of shutting people up in dark damp dungeons," said Marilla drily, "especially as they re rather scarce in Avonlea. But apologize to Mrs. Lynde you must and shall and you ll stay here in your room until you can tell me you re willing to do it." "I shall have to stay here forever then," said Anne mournfully, "because I can t tell Mrs. Lynde I m sorry I said those things to her. How can I? I m NOT sorry. I m sorry I ve vexed you; but I m GLAD I told her just what I did. It was a great satisfaction. I can t say I m sorry when I m not, can I? I can t even IMAGINE I m sorry." "Perhaps your imagination will be in better working order by the morning," said Marilla, rising to depart. "You ll have the night to think over your conduct in and come to a better frame of mind. You said you would try to be a very good girl if we kept you at Green Gables, but I must say it hasn t seemed very much like it this evening." Leaving this Parthian shaft to rankle in Anne s stormy bosom, Marilla descended to the kitchen, grievously troubled in mind and vexed in soul. She was as angry with herself as with Anne, because, whenever she recalled Mrs. Rachel s dumbfounded countenance her lips twitched with amusement and she felt a most reprehensible desire to laugh. CHAPTER VIII UP CHAPTER X 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 29 34 (Tue)
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Die Hyper Spirit Digitation Wozu kämpfen wir? Es gibt so viele Gründe wir jagen immer uns´rem Traum hinterher es ist der Traum von dir der uns für immer bindet aus Eis und Wind wird plötzlich Feuer ! wohin dein Weg auch führt, du hast ihn selbst gewählt ein Herz aus Gold ist alles was jetzt zählt aus den Elementen entstehen plötzlich neue Legenden ! Wir werden Freiheit wählen und nie den Mut verlieren es ist die Chance für alle, die mit uns gehn Wir sind wie tausend Seelen die alles aktivieren um endlich wieder ein Licht zu seh´n wohin wir gehen hinterlassen wir die Spur die allen zeigt das Beste geben wir das Beste nur, denn wir halten zu dir !! Die, Hyper-Spirit-Digitation du sagst einfach JA, und was jetzt kommt, das kennst du doch schon Die, Hyper-Spirit-Digitation jetzt sind wir da und starten die siegreiche Show wir bleiben nur unseren Träumen treu die Zukunft gehört der Gerechtigkeit wir sind bereit und schreiben die Zukunft neu ! Ein Herz und ein Verstand kann sich mit allem messen und eines Tages wird alles ganz klar Du nimmst es in die Hand und du wirst nie vergessen dein Wille kann die Welt verändern ! wohin wir gehen hinterlassen wir die Spur die allen zeigt das Beste geben wir das Beste nur, denn wir halten zu dir !! Die, Hyper-Spirit-Digitation du sagst einfach JA, und was jetzt kommt, das kennst du doch schon Die, Hyper-Spirit-Digitation jetzt sind wir da und starten die siegreiche Show wir bleiben nur unseren Träumen treu die Zukunft gehört der Gerechtigkeit wir sind bereit und schreiben die Zukunft neu ! Die, Hyper-Spirit-Digitation du sagst einfach JA, und was jetzt kommt, das kennst du doch schon Die, Hyper-Spirit-Digitation jetzt sind wir da und starten die siegreiche Show Die, Hyper-Spirit-Digitation du sagst einfach JA, und was jetzt kommt, das kennst du doch schon Die, Hyper-Spirit-Digitation jetzt sind wir da und starten die siegreiche Show wir bleiben nur unseren Träumen treu die Zukunft gehört der Gerechtigkeit wir sind bereit und schreiben die Zukunft neu ! 訳詞 【メドレー動画07/08/31コメントより転載】 何のために戦うの？ 理由はたくさんあるけれど 僕らは決して夢を諦めたりしない 君の夢が 僕と君とを繋いでくれる 氷は炎に、風は炎に どこへ向かうか それを決めたのは君自身 揺るがない心、それこそが今重要なもの 伝説は、僕らから生まれるんだから 自由を掴んでみせる そして勇気を忘れない 可能性は、僕らみんなが持っている 僕らはそれぞれ違うし それぞれが力を持っている 光を掴むための、その力を どこへ向かうかは 僕らが示してあげる 僕らはいつでも 君のために全力で頑張るよ ハイパースピリットエボリューション いつでも前を向いて 何が起こるかは解ってるだろ ハイパースピリットエボリューション 僕らも来たよ 負けるなんて思わない 僕らの夢を叶えてみせる 未来は僕らに皆に訪れるから 覚悟は出来てる 未来を手に入れてみせる 君の想いと理解が大きな力になること いつか君にも解るはずだよ 君は力を受け継いだ、だから忘れないで 強い想いが世界を動かせることを どこへ向かうかは、僕らが示してあげる 僕らはいつも 君のために全力で頑張るよ ハイパースピリットエボリューション 自信を持って どうすべきか解ってるだろ ハイパースピリットエボリューション 僕らがついてる、負けるなんてありえないよ 僕らの夢を叶えてみせる 未来は、僕ら皆に訪れるから 覚悟は出来てる、未来をこの手にしてみせる 【部分訳】 wohin wir gehen hinterlassen wir die Spur die allen zeigt das Beste geben wir das Beste nur, denn wir halten zu dir !! 僕らの選択が振り返れば道になってるんだ そのことが教えてくれる 間違ってないことを 正しいってことを 僕らはいつでも君の味方だよ！
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1. Bode (1782) Vorstellung der Gestirne auf XXXIV Kupfertafeln Nach der Pariser Ausgabe des Flamsteadschen Himmelsatlas Durchgehends Verbessert und mit den Beobachtungen Neuerer Astronomen Vermehrt nebst einer Anweisung zum Gebrauch und einem Vollständigen Sternenverzeichnisse, Berlin / Stralsund, Gottlieb August Lange. @Google booksミシガン大学 (2010-02-09) National Library of the Netherlands (2014-04-16) オーストリア国立図書館 (2018-02-16) 1a. Bode (1973) J. E. Bode s Stern Atlas (Vorstellung der Gestirne auf vierunddreissig Kupfertafeln nach der Pariser Ausgabe des Flamsteadschen Himmelsatlas; durchgehends verbessert und mit d. Beobachtungen neuerer Astronomen vermehrt nebst einer Anweisung zum Gebrauch und einem vollständigen) (Hans Vehrenberg ed.), Düsseldorf, Treugesell-Verlag @Google books@カリフォルニア大学 (2010-07-20) @国立天文台（岡山図書室） 1b. Bode (2000) 『ボーデの星図書』 （天文資料解説集 No.2）千葉市立郷土博物館（編） 小平桂一（監修），家 悦子・平山智啓（訳），横尾広光（解説），千葉，千葉市立郷土博物館 @ 国立天文台（ヒロ図書室） 1c. Bode (2003) Vorstellung der Gestirne auf XXXIV Kupfertafeln nach der Pariser Ausgabe des Flamsteadschen Himmelsatlas ; durchgehends verbessert und mit den Beobachtungen neuerer Astronomen vermehrt ; nebst einer Anweisung zum Gebrauch, (Thomas J. Rivinius ed.) @ Astaria-Verlag-Verlag 2. Bode (1805) Vorstellung der Gestirne auf vier und dreyssig Kupfertafeln nebst einer Anweisung zum Gebrauch und einem Verzeichnisse von 5877 Sternen, Nebelflecken und Sternhaufen, Berlin / Stralsund, Gottlieb August Lange. (Zweite sehr verbesserte und vermehrte Ausgabe) @Google booksBand 1 バイエルン州立図書館 (2012-01-16) Band 2 バイエルン州立図書館 (2012-01-16) Band 2 ―
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Inner Torso ※女性ものは参照程度に掲載しているので、ワンカットのみ掲載ですべて同じトリミングとしています。男女とも似た感じのデザインのものは女性のアイコン画を省略。 4TH WALL ACTING SHIRT ABRASION-RESISTANT TRICKSTER DRESS SHIRT VEST ADAMANT ARMY REINFORCED TACTICAL TANK TOP AMETHYST PUNK EASY-BREATHE KNOTTED TANK ANTI-CHEM SYNFABRIC TANK TOP ARAMID-WEAVE TACTICAL TURTLENECK ARASAKA WATERPROOF COMPAT TURTLENECK ARCTICOMBAT SEMI-FORMAL BUTTON-UP ATOMIC BLAST COMPOSITE ARMOR-WEAVE COMBAT SHIRT BARA KAIKA SYN-LEATHER BUSTIER BASIC TANK TOP BERMUDA TRIANGLE PROTECTIVE-MESH MUSCLE TANK BLOODY PIGGY DUOWEAVE CUTOUT TANK BLOODY PIGGY TRIWEAVE MUSCLE TANK BOULET TORQUOISE COMBAT SHIRT WITH PROTECTIVE LINING BRAINDANCE BLUE TRILAYER LONG-SLEEVE CALAVERA TANK TOP / SANTA MUERTE NEOKITSCH ARAMID-WEAVE RACERBACK TANK CANINE POWER DUOLAYER TANK TOP CARBONWEAVE SILK CORPORATE SHIRT CLASSIC CHEM-HARDENED BUTTON-UP CLASSY PASTEL SHIRT AND VEST COMPOSITE ARASAKA NETRUNNING NANOWEAVE SUIT COMPOSITE GEISHA COMBAT SHIRT COMPOSITE-COATED BITCH V.13 T-SHIRT COTTON LONG-SLEEVE COWBOY SHIRT AND VEST DAEMON HUNTER RESISTANCE-COATED TANK TOP DANDY CLASSICO SHIRT WITH FIBROTUBE WEAVE DECADENCIA VERDE HEAVY PLATE-WEAVE COMBAT SHIRT DED-ZED HYBRIDWEAVE T-SHIRT DESERT CROSS STRONG-WEAVE BUTTON-UP DURABLE HARDENED SYN-COTTON T-SHIRT EL DORADO ARAMID-WEAVE DRESS SHIRT VEST ELASTIC MICROPLATED SPORTY TURTLENECK EXTRA-DURABLE STRIPPED TANK TOP EXTRA-REINFORCED KNOTTED TANK EXTRA-STURDY DEADLY LAGOON TANK TOP FADED UNIWARE BELTED TANK FLEXI-MEMBRANE LEATHER BRA FRAYED NANOWEAVE CUTOUT TANK FRAYED SCAV COMBAT SHIRT FUCK YOU DURABLE-WEAVE TANK TOP GALAXY T-SHIRT GEISHA SAMURAI NANOWEAVE LONG-SLEEVE GIN NO HOSHI NEO-SILK SHIRT AND VEST GRAY DECAY TANK TOP / GRAY DECAY SYNFABRIC RACERBACK TANK HEAT-RESISTANT ARAMID-WEAVE FIXER SHIRT / HEAT-RESISTANT ARAMID-WEAVE FIXER BUSTIER HEAT-RESISTANT HYBRIDWEAVE NETRUNNIG SUITE HEAT-RESISTANT NANOWEAVE MEDIA SHIRT HEAT-RESISTANT REINFORCED NU-TEK TIGHT TANK HIGH-TENSILE CUTOUT TANK HOSPITAL SHIRT JOHNNY S SHIRT JOHNNY S TANK TOP KNOTTED ARMOR-WEAVE TANK LIGHT ELASTOMER NETRUNNING SUIT LIGHT XX PUNCH! HEAT-RESISTANT BIKER TURTLENECK LINEN BUTTON-UP WITH REACTIVE LAYERING LIQUID SHINE DURA-POLYAMIDE BUTTON-UP LONG-SLEEVE WITH COMPOSITE LINING MALLOW BREEZE TRIWEAVE SHIRT AND VEST MELTING HOTTIE TANK TOP MILITARY-GRADE ARAMID NETRUNNING SUIT MOX ULTRALIGHT TANK TOP WITH MICROMESH LAYER NEOKITSCH BLOOMING AMBER RESISTANCE-COATED TANK NEOKITSCH PALM BAY HEAT-RESISTANT TANK TOP NIGHT CITY TANK TOP / NIGHT CITY STURDIMESH RACERBACK TANK NIPPON COMPOSITE-COATED MUSCLE TANK OLD EMERALD SPEED MUSCLE TANK OLD FLAZH COMBAT SHIRT OLD NETRUNNING SUIT OLED HEX CAMO SHIRT ONCE WE WERE BOOSTED TANK TOP PADDED DENKI HACHI HYBRID-WEAVE BRA PADDED SYN-FIBER COMBAT SHIRT PADDED TACTICAL TURTLENECK PAISLEY UNIVERSE ARMOR-COATED BUTTON-UP PARIS BLUE OFFICE SHIRT AND VEST WITH REINFORCED SEAMS PENGUIN DRESS SHIRT AND VEST PERALEZ CAMPAIGN SHIRT POLYCARBONATE NOMAD SHIRT WITH REINFORCED SEAMS PSYCHO FLEXIWEAVE LONG-SLEEVE PSYCHO IMPACT-ABSORBENT NANOWEAVE T-SHIRT PSYCHO TANK TOP / PSYCHO PUNCTURE-RESISTANT RACERBACK TANK PUNCTURE-RESISTANT NUSA T-SHIRT PUNK DUOLAYER TANK TOP PUNK TANK TOP PURPLE DRAGON ARAMID-WEAVE TANK TOP PURPLE DRAGON NEOKITSCH MUSCLE TANK WITH TUNGSTEN SEQUINS PURPLE PANTHER SHIRT RED ALERT ANTI-SURGE NETRUNNING SUIT RED LEOPARD BUTTON-UP WITH COMPOSITE INSERT REINE DE ABEILLES BUSTIER WITH BULLETPROOF LINING REINFORCED BREATHABLE DRESS SHIRT REINFORCED SPOTTED BRA REINFORCED-SEAM COTTON ROCKER TANK / ARMORWEAVE ROCKER BRA REINFORCED-SEAM SPORTY TANK TOP RIVER S TANK TOP RUINED LIFE STURDIMESH T-SHIRT SAEKO S PROTECTIVE LAYER TIGHT TANK SAMURAI 2020 TOUR T-SHIRT SAMURAI COMBAT TURTLENECK SANKAKU NICHIBOTSU TARP-WEAVE TANK TOP SANTA MUERTE HEAT-RESITANT TANK TOP SECONDHAND KNOTTED TANK SECONDHAND SPEED ADDICT DUOLAYER CUTOUT TANK SEMI-FORMAL SYNFIBER BUTTON-UP SIMPLE BIKER ARAMID-WEAVE TURTLENECK SIMPLE DUOLAYER BUSTIER SPORT-FLEX AT-AK THERMOACTIVE TURTLENECK SPORTY DARRA-POLYTECHNIC FLEXI-WEAVE TURTLENECK SPOTTED FLEXI-MEMBRANE BUSTIER SPOTTED SLEEVELESS T-SHIRT / SPOTTED TANK TOP STURDI-WEAVE BITCH V.13 T-SHIRT STURDI-WEAVE CUTOUT TANK STYLISH ATOMIC BLAST COMPOSITE BUSTIER STYLISH BIG FISH STEEL-SEQUINED T-SHIRT STYLISH CRYSTAL MIDNIGHT CARBON-FIBER LONG-SLEEVE STYLISH DOUBLE-WEAVE SHIRT AND VEST SUICHU YOGAN SYN-FIBER COMBAT SHIRT TACTI-FIBER RACERBACK TANK TAMASHI COMPOSITE TANK TOP / YORU NO SAMURAI COMPOSITE RACERBACK TANK TATTERED PLAID TANK /TATTERED PLAID CROP TOP TEAR-RESISTANT OFFICE SHIRT AND VEST THERMOACTIVE TEAR-RESISTANT TECHIE SHIRT TORN BURN CORPO SHIT COMPOSITE T-SHIRT TORN DAEMON HUNTER POLYAMIDE T-SHIRT TORN POLYAMIDE-BLEND CAMO T-SHIRT TORN REINFORCED T-SHIRT TORN STURDIMESH T-SHIRT TORN SYN-BLEND T-SHIRT TORN TACTI-FIBER CAMO TANK / TORN TACTICAL CAMO CROP TOP TORN YORU NO SAMURAI POLYAMIDE T-SHIRT / RIPPED TAMASHI POLYAMIDE TANK TOP ULTIMATE PUNCH STURDIMESH T-SHIRT ULTRALIGHT AMANDE ROSE ANTI-PUNCTURE BRA ULTRALIGHT GEISHA DREAM POLYAMIDE TANK TOP ULTRALIGHT JASMIN DOUCET SYN-COTTON BUSTIER ULTRALIGHT TESTED ON ANIMALS POLYAMIDE TANK TOP ULTRATHIN COMPOSITE-PRINT SOLO SHIRT UTILITARIAN BURN CORPO SHIT T-SHIRT UTILITARIAN COMPOSITE-MESH T-SHIRT V S BLANK TANK TOP V S FAVORITE T-SHIRT V S OLD TANK TOP / V S TATTERED CROP TOP V S SHIRT V S STAINED TANK TOP / V S TATTERED CROP TOP VINTAGE SAMURAI STRONGWEAVE T-SHIRT VIONET NEBULA ANTI-TEAR POLYAMIDE TURTLENECK WOLF SCHOOL T-SHIRT WORN MAELSTROM JACKET WORN NETRUNNING SUIT WORN TAMASHI TANK TOP WRINKLED DRESS BUTTON-UP X NANOTUBE-WEAVE MUSCLE TANK X REINFORCED POLYAMIDE TANK TOP YORINOBU S FORMAL SHIRT YORU NO SAMURAI GMO-COTTON T-SHIRT ▲TOPへ戻る
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Memo "Es irrt der Mensch, solang er strebt." (Man errs as long as he strives.) ~Faust, Goethe "The dream of yesterday is the hope of today and the reality of tomorrow." ~Robert Hutchings Goddard "There is no education like adversity." ~Benjamin Disraeli "Ce n est pas la dernière fois, mon petit. On ne fait pas ce qu on veut. On veut, et on vit cela fait deux. Il faut se consoler. L essentiel, vois-tu, c est de ne pas se lasser de vouloir et de vivre. Le reste ne dépend pas de nous." (Not for the last time, my boy. We do not do what we will to do. We will and we live two things. You must be comforted. The great thing is, you see, never to give up willing and living. The rest does not depend on us.) ~Jean Christophe, Romain Rolland "Zu bedeutender, das Maß des schlechthin Gebotenen überschreitender Leistung aufgelegt zu sein, ohne daß die Zeit auf die Frage Wozu? eine befriedigende Antwort wüßte, dazu gehört entweder eine sittliche Einsamkeit und Unmittelbarkeit, die selten vorkommt und heroischer Natur ist, oder eine sehr robuste Vitalität." (In an age that affords no satisfying answer to the eternal question of Why? To what end? a man who is capable of achievement over and above the expected modicum must be equipped either with a moral remoteness and single-mindedness which is rare indeed and of heroic mould, or else with an exceptionally robust vitality.) ~Der Zauberberg, Thomas Mann "自分に同情するな。自分に同情するのは下劣な人間のすることだ。" (Don t feel sorry for yourself, only assholes do that.) ~Norwegian Wood, Haruki Murakami "大切な人には限りなくやさしく そうでない人には限りなく残酷になれれば一人前だ。" (If you can be infinitely kind to those dear to you, and infinitely cruel to everyone else, then you are a man.) ~EDEN, Hiroki Endo
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第２幕 第１場 （舞台は椰子林のなか。すべての木々は銀色で、葉っぱはすべて金色。葉っぱの上には１８の座席があり、すべての座席の上には、金色に縁取られた大きな黒いホルンとピラミッドが置かれている。舞台中央には、最大のピラミッドと、最も太い木々がある。 ザラストロは、別の祭司たちとともに、重々しい足取りでやってくる。すべての祭司たちは、その手に棕櫚（しゅろ）の枝を持っている。その行列を吹奏楽の行進曲が伴奏する） 【ナンバー９ 祭司たちの行進】 SARASTRO （間をおいて） 諸君！偉大なる神イシスとオシリスに仕える知の寺院の信者たちよ！邪心なき心で、わしは諸君に言おう。 今日の集いは、当代きっての大事な集まりじゃ。 タミーノ・・・２０歳の王の子息が、我らの寺院の北門に迷い込み、有徳心から、我ら全員が切望してやまぬものを自らも手に入れたいと望んでおるのだ。 つまり、夜のヴェールを目の前からはらって、偉大なる光の聖所を見ようと欲しておるのだ。 この有徳の士を見守り、友情の手を差し伸べてやることこそ、我らが真っ先にやらねばならぬ務めの一つじゃ。 ERSTER PRIESTER＜第一の祭司 （立ち上がる） その男は、徳を持っているのか？ SARASTRO 徳を！ ZWEYTER PRIESTER＜第二の祭司 口も堅いのか？ SARASTRO 口も堅い！ DRITTER PRIESTER＜第三の祭司 善をなすか？ SARASTRO 善を！さあ、有資格者と見なすなら、私の手本にならうがいい。 （彼らは、ホルンを三回吹き鳴らす） 皆の気持ちの一致には感じ入った。このザラストロ、人類の名において礼を言う。我ら信者は、いつまでも偏見から自由であれ！ 偏見は知恵と理性を蜘蛛の巣みたいに散り散りにしてしまう。むろん我らの知恵の柱を揺さぶる事はないが、それでも悪しき偏見は消し去らねば。タミーノが我らの偉大なる奥義を身につけてくれれば、偏見はたちどころに消えてしまうだろう。 神々は、やさしく貞潔なパミーナを、あの可愛い男のものと定めた。だからわしは、あの誇り高い母親から彼女をさらって来たのじゃ。あの女は、自らを偉大と思いなし、迷信と虚妄によって人びとを欺こうとし、わしらのしっかりした寺院の建物さえ破壊しようとしておるのじゃ。 だが、そうはさせぬぞ。わしの可愛いタミーノが、我らとともに寺院を強固にし、信者となって、美徳にはその報いを、悪徳にはその罰を下すであろうから。 （全員によるホルンの和音の吹奏が三回繰り返される） SPRECHER＜弁者 （立ち上がる） 偉大なるザラストロ。知恵ぶかきお話、まことに感じ入り申した。しかし、果たしてタミーノは、自分を待ち構える厳しい試練に打ち勝つことができるでしょうか？率直に疑いを述べることをお許しいただくなら、あの若者、どうもわしには心配でならぬのです。ひとたび苦痛を感じれば、気が抜けたように打ちひしがれ、この過酷な戦いに負けてしまうのではと。なにせ「王子」ですからな！ SARASTRO だが、それ以上に、「人間」じゃ！ SPRECHER ですが、若き身空で、還らぬ者となってしまったら？ SARASTRO さすれば、イシスとオシリスに捧げられ、我らより一足早く神々の喜びを感じるまでのこと。 （和音の吹奏が三回繰り返される） タミーノを、旅の道連れと一緒に寺院の前庭に連れて行くのじゃ。 （目の前にひざまずく弁者に向かって） さあ、我らによって神々の真理の弁護人に指名されたる友よ！神聖なる務めを果たしてくだされ。そなたの知恵によって、人類の義務とは何か二人に教えるとともに、神々の力に目を開かせるのじゃ。 （弁者は祭司を一人したがえて退場。その他の祭司はすべて棕櫚の枝を持ったまま整列する） 【ナンバー１０ 合唱付きアリア】 SARASTRO und CHOR ああ、イシスとオシリスよ。 知恵のこころを、あの者たちに！ 旅人達を導いて、つらい時ほど 辛抱強く、彼らを助けたまうのです。 試練の成果を目にさせるのです。 彼らが途中で倒れても、美徳がそのまま 歩み続ければ、それが何よりの報いです。 あなたの住まいに彼らをお迎えください。 （ザラストロが先に立ち、全員がそれに続いて退場） 第２場 （夜。遠くから雷鳴がゴロゴロと響いてくる。舞台は、寺院の狭い中庭に変わり、そこには茨の茂みと共に、崩れ落ちた柱とピラミッドの残骸が転がっている。背の高い古代エジプト風の扉が両側にあり、多くの別棟へとつながっている） （タミーノとパパゲーノは、弁者ともう一人の祭司に導かれて来る。彼らは、二人の頭の袋を取り外す。祭司たちは退場） TAMINO ひどい夜だ！ パパゲーノ、そばにいるかい？ PAPAGENO ああ、もちろん！ TAMINO ぼくたち今どこだろうね？ PAPAGENO どこかって？こんな真っ暗でさえなけりゃ、教えることもできるけど・・・これじゃ・・・ （雷鳴） わあっ！・・・ TAMINO どうした？ PAPAGENO どうも気が散っちゃって！ TAMINO こわいんだね、きっと。 PAPAGENO こわくなんかないさ、ただ背中が氷みたいに冷たい。 （激しい雷鳴） わあっ！ TAMINO 何なのさ？ PAPAGENO 今度はちょっと熱があるみたい。 TAMINO こら、パパゲーノ！男だろ！ PAPAGENO 女のほうが良かったよ！ （とても激しい雷鳴） わあ！わあ！わあ！これじゃもうおしまいだ。 第３場 松明を持つ弁者ともう一人の祭司。前出の人々 SPRECHER よそ者よ、我らに求めるものは何じゃ？何が、我らの城内にそちらを突き進ませたのじゃ？ TAMINO 愛と友情。 SPRECHER 命をかけて勝ち取る覚悟か？ TAMINO そうだ！ SPRECHER 死がそちの運命としてもか？ TAMINO そうだ！ SPRECHER 王子よ、逃げるなら今だぞ・・・ひとたび足を踏み出せば、もう取り返しはつかんぞ・・・。 TAMINO 勝利の代償は、知恵の教え。 褒美には、優しき乙女パミーナを。 SPRECHER すべての試練を受けるのか？ TAMINO すべてを！ SPRECHER では、わしに手を！ （彼らは手をつなぐ） さあ！ ZWEYTER PRIESTER＜第二の祭司 さらなるお言葉の前に、もう一人の者にも二三の質問をしてよろしいでしょうか。・・・お前も知への愛を勝ち取りたいのかな？ PAPAGENO 争い事には関心ないな。ホントのところ、知恵なんぞまるで手にいれたくないんだ。 ぼくは、自然児だから、食って寝て飲めりゃ、それでいい。でも、きれいなヨメさんを手に入れられりゃなあ・・・ ZWEYTER PRIESTER 試練を受けねば、決して手に入らないぞ。 PAPAGENO その試練のなかみは？ ZWEYTER PRIESTER 掟にすべて従い、死すら怖れないことだ。 PAPAGENO じゃあ、独り身でいようかな！ SPRECHER だけど、貞淑な美女を手に入れられるとしたら？ PAPAGENO やっぱり独り身がいいよ！ ZWEYTER PRIESTER では、肌の色といい、着るものといい、君に瓜二つの女の子を、ザラストロがあてがってくれるとしたら、どうだい？ PAPAGENO 瓜二つ！若い子かい？ ZWEYTER PRIESTER 若くて、きれいさ！ PAPAGENO なんて名だい？ ZWEYTER PRIESTER パパゲーナ。 PAPAGENO なにっ？パ？ ZWEYTER PRIESTER パパゲーナさ！ PAPAGENO パパゲーナだって？会いたい気持ちが出てきたなあ。 ZWEYTER PRIESTER きっと会えるぞ・・・！ PAPAGENO でも会ったはいいけど、そのあと死ぬんじゃないだろうね？ （第２の祭司はどちらとも取れるようなパントマイムを演じる） PAPAGENO そう？じゃあ、やっぱり独り身でいるよ！ ZWEYTER PRIESTER きっと会えるさ。だが時が来るまで、その子とは一言も口を利いちゃダメだ。心の平静と沈黙を保つことはできるかな？ PAPAGENO まあ、なんとか！ ZWEYTER PRIESTER ならば握手だ！必ず、その子に出会えるぞ。 SPRECHER 王子よ、そなたにも神々は沈黙を課されたのじゃ。沈黙を忘れれば、お主たちは二人ともおしまいじゃ。お主らはパミーナに会うじゃろう・・・だが口を利いてはならぬ。これが試練の手始めじゃ。 【ナンバー１１ 二重唱】 ZWEITE PRIESTER UND SPRECHER 女のこころに気をつけよ・・・ それが最初の盟約の義務！ 賢者達すらダマされる。 悪しき行い、予期できぬ。 しまいに、みんなに見捨てられ、 忠義むなしく罵られ！ 腕をよじるが、もう手遅れ。 死と絶望が、その報い。 （二人の祭司は退場） 第４場 タミーノ、パパゲーノ PAPAGENO おおい、明かりを！明かりを！ 何とも妙だ、あの人達が行っちゃったら、目を開けてても何も見えない。 TAMINO 我慢するんだ、これが神々のご意志と思ってね。 第５場 ３人の婦人、前出の人々。 （舞台のせり出しから） ３人の婦人 【ナンバー１２ 五重唱】 あら？あら？あら？ あの子たち、こんなひどい所に？ やだ！やだ！やだ！ もう、お前たち、行っちまえ！ タミーノ、お前はもう死んじゃえ。 パパゲーノ！お前はもうおしまい！ PAPAGENO おい！おい！おい！そいつはちょっとひどすぎる。 TAMINO 黙っていなよ、パパゲーノ！ 誓いを破るつもりかい？ 一切女としゃべらない誓いをさ。 PAPAGENO 女王様から聞いたのかい？ぼくら死ぬって。 TAMINO 言ってるだろう、静かに！・・・黙れ！ PAPAGENO 静かさ、静か！ DIE DREY DAMEN もう女王様は、すぐ近く！ こっそり寺院に押し入った。 PAPAGENO ええっ、何だって？寺院の中にいるだって？ TAMINO 言ってるだろう、静かに！・・・黙れ！ 不遜だぞ、 誓いの義務を忘れたのかい？ DIE DREY DAMEN タミーノ、お前はおしまいだ！ 女王のことを忘れるな！ 悪しき心を持つ祭司たちが、 あなたに陰口をささやいたのね。 TAMINO （独り言で） 賢い男は、気にも留めないぞ。 あんなクズどもの話など。 DIE DREY DAMEN 一たび女王と約束すると、皮膚にも毛髪にも 呪いがかけられる、と言われているわ。 PAPAGENO そいつは悪魔もびっくりだ！ ねえねえ、タミーノ。ホントかなあ？ TAMINO 女のたわごと、ほうっておこう。 ウソツキたちの作り話だ。 PAPAGENO でも、女王様もそう言ってるよ。 TAMINO 女王も女・・・女の浅知恵。 黙っているんだ、もうこれ以上言わないぞ。 これがぼくらの義務だから、賢く振舞おう。 DIE DREY DAMEN （タミーノに） なんで、そんなにすげないの？ （タミーノは、口を利くことを禁止されていることを控え目に暗示する） DIE DREY DAMEN パパゲーノも黙ったまま・・・何か言ってよ！ PAPAGENO ホントはぼく・・・ TAMINO しいっ！ PAPAGENO （こっそりと） わかるだろ・・・ぼくたちは・・・ TAMINO しいっ！ TAMINO UND PAPAGENO ぼく（きみ）が、おしゃべりしちゃったら、 ためにならない。ぼく（きみ）たちのため。 ALLE FÜNF＜五人全員 そんな奴らは、恥ずかしいから見捨てちゃおう、 おしゃべりしちゃダメ！ きっと、しっかりした人は、 考えてからしゃべるはず。 （婦人達が去ろうとすると、信者達が中から叫ぶ） PRIESTER＜祭司たち 聖なる城が、汚された。 地獄に落ちろ、女たち！ （全楽器による凄まじい和音。雷鳴、稲妻、稲妻の音。それと同時に、２回激しい雷鳴。婦人達は、せり出しへ落ちて行く） DIE DREY DAMEN わあ！わあ！わあっ！ PAPAGENO （驚いて床にくずおれ、音楽がすべて止んでから歌い出す） わあ！わあ！わあっ！ （三回の和音が鳴りだす） 第６場 タミーノ、パパゲーノ、弁者、松明を持った第二の祭司 SPRECHER 若者よ、よくやった！冷静で男らしい態度の勝利だぞ。これからいくつも荒れ放題の危険な道を行くだろうが、神々のご加護により、必ずや最後までたどり着くことができよう。 さあ、心も新たに、旅路を続けることとしよう。 （タミーノの頭に袋をかぶせる） さあ！おいで。 （退場） ZWEYTER PRIESTER 何だ一体！こっち向け！どうしたんだ？ PAPAGENO ぼく、気絶中！ ZWEYTER PRIESTER 起きろ！気力を奮い起こして男になれ！ PAPAGENO （目を上げる） ちょっとだけ教えてよ。何だって、こんな苦しみと恐怖を感じなきゃならなんだい？神々が、パパゲーナとやらをぼくの相手に決めたんなら、なんでこんなに危険な目に会ってまで手に入れなきゃならないんだい？ ZWEYTER PRIESTER そんなに知りたいんなら、自分の頭でとっくり考えてみるんだな。来るんだ！お前を連れて行くのが、わしの役目だ。 （パパゲーノの頭に袋をかぶせる） PAPAGENO こんなに果てしなく旅をしてたら、百年の恋も冷めちゃうよう。 （退場） 第７場 （舞台は優美な庭園に替わる。蹄鉄のようなU字型に植えられた木々があり、その真ん中の花々とバラで作られたあずまやに、パミーナが眠っている。月が彼女の顔を照らしている。 舞台のずっと前方には、ベンチ状になった芝生があり、やって来たモノスタトスは、しばらく間を置いてから腰かける） MONOSTATOS. おお、あのツンツンした美女がいたぞ！こんな吹けば倒れそうな子のために、俺は足裏たたきの刑を受けるところだったのか？まあ、ありがたいことに今日のところは、無事だったがね。 ふうむ・・・！だいたいが、俺の罪って何なんだ？異国の地に咲いた花にクラッと来たということかな？だけど、天国からの柔らかな風を受けながら、眺めても何も感じず、冷淡なままの男なんているのかな？ 天のお星さまあ・・・！あの子のせいで、俺は正気じゃなくなっちゃった。心がメラメラして、俺を焦がし尽くしちゃいそうだ。 （あらゆる方角を見渡す） わかってるさ、いま俺が一人きりで、誰にも聞かれちゃいないことはな・・・さあ、もう一度やってやるぞ。 （両手で風を起こすようにして） 恋なんて、バカらしくってイヤなことだよ！でも、一度のキスぐらい、いいだろうて・・・ 【ナンバー１３ アリア】 （歌も伴奏もすべて弱音で演奏されるので、まるではるか遠くからの音楽のように聞こえる） MONOSTATOS みんな感じる恋の良さ。 いちゃいちゃしたり、キスしたり。 でもこの俺にゃ許されぬ。 オレは腹黒・・・醜いから。 オレには、女は来ないのか？ まるで似合いじゃないとでも？ 女なしでの一生は まさに地獄の炎のようだ。 生きてるからにゃ、俺だって、 キスも、ハグハグもしてみたい！ ああ、お月さん、お許しを、 あの白い肌、忘られぬ。 白くてきれい！キスしたい。 お月さんたら！隠れてよ・・・！ あんたを見るの、あきあきだ。 ああ、せめて目を閉じてくれ。 （静かにゆっくり忍び寄って行く） 第８場 （女王が雷鳴とともに舞台中央のせり出しから出て来て、一直線にパミーナを目がけて進み、その前に立つ） KÖNIGINN さがれ！ PAMINA （目を覚まして） 母神（ははがみ）さま！ MONOSTATOS （飛びのきながら） なんてこった！あれは、見間違えでなければ、夜の女神だ。 （物音一つ立てずに立っている） PAMINA お母様！あたしのお母様！ （女神の腕に飛びこむ） MONOSTATOS 母さんだって？ほほう！少し離れて聞いておかねば。 （こそこそと退場） KÖNIGINN あの暴力にすら感謝しなきゃね。お前はさらわれたけれど、今こうやって母娘（おやこ）の名乗りができるのだから。お前に遣わしたあの若者はどこ？ PAMINA ああ、お母様、あのひとは人々の交わりから永久に別れを告げました。信者達にその身を委ねたのですから。 KÖNIGINN 信者達にですって・・・？運の悪い娘ね、今お前は永久にさらわれてしまった。 PAMINA さらわれた？ああ、お母様！あなたが守ってくれるから、あたし、どんなピンチにも耐えているのに。 KÖNIGINN 守る？いとしい我が子よ、もうお前を守る事はできないわ。お前のお父さんの死と同時に、あたしの力は無くなってしまったの。 PAMINA お父様は・・・ KÖNIGINN 自らすすんで七重の光輪を信者達の手に委ねたのよ。だからザラストロはあの強大な光輪を懐に入れたの。あたしがそのことを尋ねた時、お父様は眉間に皺を寄せてこう言ったわ。「妻よ！わしの最後は近い。わしの持つ全ての宝は、お前とあの娘（こ）のものじゃ」 「だけど全てを焼きつくすあの光輪は？」とあたしが話に割って入ると、「それは信者達のものじゃ」との答え。 「ザラストロは、かつてのお前同様、男らしく光輪を管理するはずじゃ。だから、もう何も言わないでくれ。女のこころに理解できないことを詮索するな。お前とあの娘（こ）を賢い男達の指導に任せることがお前の義務じゃ。」 PAMINA お母様、そうだとすると、あの若者と私も永久におしまいなのですね。 KÖNIGINN おしまいよ・・・太陽が地上を照らす前に、この地底の丸天井を通って逃げるように、あの男を説得しなければね。昼の最初の薄明りが、あの男があなたの味方になるか、信者達の味方になるかの分かれ目。 PAMINA お母様。いまは信者になったとて、あの若者を私が今こんなに愛情込めて想うことはいけないことでしょうか？確かに、お父様ご自身は賢者たちと手を結んでいました。感極まって話すことといえば、いつでも賢者たちのことばかり。彼らの善良さ、理解力、そして美徳のことばかりでした。ですが、ザラストロも満更、人徳のない人とも思えませんが・・・。 KÖNIGINN 何を言うの！野蛮人どもの恥知らずな原理原則を、あたしの娘までが弁護するなんて？あんな男を想っているですって・・・隙あらばと、あたしの破滅を窺っている仇敵と手を結んだ男よ？ この短刀が見えて？ザラストロのために研いだのよ。あなたの役目は、あいつを殺し、強大な光輪をあたしのために手に入れること。 PAMINA でも、お母様・・・！ KÖNIGINN 問答無用よ！ 【ナンバー１４ アリア】 KÖNIGIN DER NACHT＜夜の女王 ぐつぐつ煮立つ地獄の復讐、 めらめら燃える死と絶望！ ザラストロというヤツに、死の苦しみを味わわせねば あんた、あたしの娘じゃないわ。 永遠（とわ）に勘当、おさらばよ。 母娘（おやこ）の絆もご破算ね、 あやつの息の根、止めなくば！ さあ復讐の女神たち、母の言うこと聞くのです！ （奈落に姿を消す） 第９場 （パミーナは手に短剣を持っている） PAMINA 殺すですって？女神様がた！そんなことできない・・・できっこない！ （想いに沈んで立ちつくす） 第１０場 前出の人々。モノスタトス MONOSTATOS （急いでやって来る。こそこそと、とてもうれしそうに） なるほど、ザラストロの光輪とやらに力があるというわけか？これを手に入れるために、あの美女はあいつを殺さねばならないわけか？こいつは、面白くなってきた。 PAMINA でも、お母様はすべての女神様に誓われた・・・あたしがザラストロに短剣を向けなければ、あたしを追放すると。ああ、女神様！あたし、どうすればいいの？ MONOSTATOS オレにまかせろ！ （彼女から短剣を奪い取る） PAMINA （驚いて叫ぶ） いや！ MONOSTATOS 何だって震えてる？俺が腹黒だからか？それとも殺すことを考えていたからか？ PAMINA （おずおずと） 知ってるのね・・・？ MONOSTATOS 全てをな。もう一つ知っているぞ・・・お前のみならず、お前の母親の命も俺の手のひらの上にあるってことをな。 俺がザラストロに一言言えば、お前の母親は、この円屋根付き地下室の、信者達が掃除するはずの水の中で溺れ死んじまうだろうな。 俺がそう仕組んだら、この地下室から母さんが無事出られることは絶対にないぞ。お前と母親が助かるためのただ一つの道は・・・。 PAMINA それは？ MONOSTATOS 俺を好きになれよ。 PAMINA （ぶるぶる震えだして） 神さまあ！ MONOSTATOS （うれしそうに）嵐のおかげで、 小枝（こえだ）ちゃんがオレの所に吹き飛ばされてきたぞ。さあ、お嬢ちゃん・・・！イエスかノーか！ PAMINA （きっぱりと） ノーよ！ MONOSTATOS （激怒して） ノーだと？なぜだ？俺が黒い幽霊のように腹黒だからか？・・・ノーだと？それなら死んじまえ！ （彼女の手をつかむ） PAMINA モノスタトス、お願いよ、ひどいことしないで！ MONOSTATOS 好きになるか死ぬかだ・・・！さあ！命の分かれ目だぞ。 PAMINA あの若者に心を捧げてしまったの。 MONOSTATO それが俺に何のかかわりがあるってんだ。さあ！ PAMINA （きっぱりと） いやです！ 第１１場 前出の人々。ザラストロ MONOSTATOS それなら、死ね！ （ザラストロは素早く割って入る） ご主人様、私の行いは罰するようなものではありませぬぞ。あなた様の死を謀るヤツがいたので、わしはその復讐を図ったのでございます。 SARASTRO 良く知っておるぞ。 お前が心の底から腹黒だということも。お前の悪行を極刑でもって罰したいところだ。もし、この善良な娘の邪悪な母親がこの短剣を準備していなかったとしたらな。 あの女の邪悪な行為のおかげで、お前は罰を受けずにこの場から去ることができるのだ。去れ！ MONOSTATOS （退場しながら） あの娘は俺になびかないようだ。それじゃひとつ母親のほうを訪ねてみるか。 （退場） 第１２場 モノスタトス以外の前出の人々 PAMINA ザラストロ様、お母様を罰しないで下さい。私がいないことがよほど辛いのです。 SARASTRO 良く分かっておる。あの女は寺院の地下室をうろつき回り、わしと人類への復讐に燃えておるのじゃ。だが、わしの復讐のしかたは、見ての通り一味違うぞ。 天は、あの可愛い若者に敬虔な決意を抱かせ、勇気と平静を与えて下さるはずじゃ。そうすれば、そなたと若者は共に幸せになり、母上は恥じ入って居城へと退散するじゃろう。 【ナンバー１５ アリア】 SARASTRO この神聖な広間には、 復讐などは縁がない・・・ よしや、その人つまずけば、 義務へとみちびく、その愛は。 友情の手を見出して、さても楽しく ほがらかに、より良き国に至るのだ。 この神聖な城内は、 人と人とが愛し合う。 裏切り者は、あり得ない。 ここでは敵も赦すのだ。 教えを受け入れない者は、 人間の名に値せぬ。 （二人とも退場） 第１３場 （舞台は、空中ゴンドラが行き来する広さのある広間に替わる。空中ゴンドラは、バラや花々に取り巻かれている。すぐに扉が開く） （タミーノとパパゲーノは、頭の覆いを外されて、２人の祭司に導かれて来る。舞台のずっと前方には、ベンチ状になった芝生がある） SPRECHER ここで、お前達二人とはお別れだ。ラッパの音が響いたら、その道を行くが良い。 王子よ、達者でな！目的地に着く前にもう一度会うこともあるじゃろうて。もう一度繰り返すが、忘れてはならぬぞ・・・沈黙をな。 （退場する） ZWEYTER PRIESTER パパゲーノよ、ここで沈黙を破る者には雷鳴と稲妻の罰が下るぞ。達者でな！ （退場） 第１４場 タミーノ、パパゲーノ （タミーノは、ベンチ状の芝生に腰かける） PAPAGENO （少し間を置いてから） タミーノ！ TAMINO （叱るように） しっ！ PAPAGENO まったく楽しいったらありゃしない・・・！ せめて、ぼくの藁小屋か森の中にいりゃ、鳥の鳴き声ぐらい聞こえるってのにさ。 TAMINO （叱るように） しっ！ PAPAGENO 独り言ぐらいは大丈夫だろ。それに一緒に話し合ったところで、ぼくたち男じゃん。 TAMINO （叱るように） しっ！ PAPAGENO （歌う） ラララ・・・ラララ・・・！ 水すら、ちっとも出て来ない。その他のものは、もっとない。 第１５場 （醜いおばあさんが、せり出しから出て来る。水の入った大きなグラスを置いたお盆を持っている） PAPAGENO （じっと彼女を見つめる） ぼくにかい？ WEIB そうよ、可愛い坊や！ PAPAGENO （また見つめながら、水を飲む） 水以上でも以下でもないや。ねえ、見知らぬべっぴんさん！よそからのお客は、みんなこうやってもてなすの？ WEIB もちろんよ、可愛い坊や！ PAPAGENO そうかい、そうか！よそ者なんざ、そうしょっちゅうやって来るもんじゃないよねえ・・・ WEIB あまり来ないよ。 PAPAGENO そりゃそうだ。おばあちゃん、おいで。ぼくの横に腰かけな。とっても退屈なんだから。ねえ、あんた、いくつなの？ WEIB いくつかと？ PAPAGENO そう！ WEIB １８歳と２分（ふん）なの。 PAPAGENO １８歳と２分（ふん）だって？ WEIB そうよ！ PAPAGENO あっ、はっ、は！ねえ、マイ・エンジェル！君に彼氏はいるのかな？ WEIB もっちろんよ！ PAPAGENO やっぱり若いの？君みたいに。 WEIB それほどでも。あたしより、１０（とう）も年上・・・ PAPAGENO １０も年上？それも一つの愛だよね！彼氏は何て名前なの？ WEIB パパゲーノよ！ PAPAGENO （びっくりして、間をとる） パパゲーノ？そのパパゲーノって、どこのひと？ WEIB ここにいる可愛い坊やよ！ PAPAGENO ぼくが、あんたの彼氏だと？ WEIB そうよ、可愛い坊や！ PAPAGENO （あわてて水を取り上げると、彼女の顔にはじく） おいおい、キミは何て名だい？ WEIB あたしの名前は・・・ （激しい雷鳴。おばあさんは、あわてて、よたよた退場する） PAPAGENO なんてこったい！ （タミーノは立ち上がって、指で脅す） PAPAGENO もう一言もしゃべらないよ！ 第１６場 （３人の童が、バラで覆われた空中ゴンドラに乗ってやって来る。舞台中央には、テーブルクロスや食器がきれいに並べられたテーブルが置いてある。童のうち、一人はフルートを持ち、もう一人は鈴の入った小箱を持っている） DIE DREY KNABEN 【ナンバー１６ 三重唱】 ようこそ、二度目だね・・・ ザラストロの国へ！ あの方、返してくれるって。 取り上げられた笛と鈴。 料理がお口に合うならば、 陽気に飲み食いしていいよ！ 次回、三度目会うときは、 勇気のご褒美、歓喜だよ！ タミーノ、がんばれ！ゴールは近い。 口利いちゃダメ、パパゲーノ。 （三重唱の間に、彼らはテーブルを中央にセットし、ゴンドラで飛び去って行く） 第１７場 タミーノ、パパゲーノ PAPAGENO タミーノ、飲み食いしないのかい？ （タミーノはフルートを吹く） PAPAGENO きみがフルート吹くのなら、ぼくはこのパン吹こうかな。ザラストロ様、料理が得意。いつもこんなの食えるなら、さすがのぼくも、おしゃべりしている暇はない。 （飲む） 今度は、ワインセラーの品揃えをチェックしてみよう。わお！こいつは究極のワインだ！ （フルートは鳴りやむ） 第１８場 パミーナ、前出の人々 PAMINA （うれしそうに） ここだったの？神様、ありがとう！あたしをここに連れて来てくれて・・・。あなたの笛の音が聞こえてきたから、あたし、その音を矢も楯もたまらず追いかけて来たのよ。・・・でも、悲しそうね？あたしとなのに、何も言わないの？ TAMINO （ため息をつく） ああ！ （去るように手で合図する） PAMINA ええっ？あなたなしでいろと？もう愛してないの？ TAMINO （ため息をつく） ああ！ （再び去るように合図する） PAMINA なぜかも教えてくれないのに、行ってしまえなんて。やさしいタミーノ！あたし、なんか気にさわることした？ねえ、あたしの心を傷つけないで。あなたといれば、心の慰めと癒しが得られると思ったのに、あたしの愛する心をさらに傷つけようとするとは？もう愛してないの？ （タミーノはため息をつく） PAMINA パパゲーノ、教えて、あたしの友達はどうしたの？ （パパゲーノは口にパンを入れたまま、両手で食卓を覆い、去るように合図する） PAMINA えっ？あなたもなの？口を利かない理由ぐらい教えてよ・・・。 PAPAGENO しっ！ （身振りで去るように促す） PAMINA ああ、傷ついたなんて生易しいことじゃない・・・ 死んだほうがまし！ （間をおいて） タミーノ・・・ただ一人好きだったひと！ 【ナンバー１７ アリア】 ああ、そうなのね、消え去った・・・ 恋の幸せ、永久（えいきゅう）に！ たのしい時は、もう二度と、 こころに、もはや戻らない。 タミーノ、見える？この涙、 あなたのために流すのよ。 恋に燃えない心なら、 死の安らぎよ、やって来て。 （退場） 第１９場 タミーノ、パパゲーノ PAPAGENO （急いで食べる） どうだい、タミーノ、ぼくだって必要とありゃ黙れるんだ・・・。 そうさ、こういう時は、ぼくだって男さ。 （飲む） コックさんと、ワインセラー長さん、ばんざあい。 （三度繰り返されるラッパの響き） （タミーノはパパゲーノに行くように合図する） PAPAGENO キミから行ってよ、すぐ追いかけるから。 （タミーノは力ずくで行かせようとする） PAPAGENO 強いほうが残ろう！ （タミーノは脅しつけて、右に退場するが、今度は左側から出て来る） PAPAGENO もう少しほっぽっといてほしいなあ。とっても食欲わいてきたのに、行かなきゃならないとは。このままいさせてよ。とても行く気にならないよ・・・ザラストロがあの６匹のライオンをぼくに向けて放ちでもしない限りね。 （ライオンが出て来るので、彼は飛び上がる） おお、お慈悲を、神さまがたあ！タミーノ、助けてえ！ライオンさん達のお食事にされちゃうよう。 （タミーノはフルートを吹き、急いで戻ってくる。ライオン達は向うに行ってしまう） （タミーノは合図する） PAPAGENO 行くよ！このうえキミの言うこと聞かなけりゃ、ぼくを悪党と呼んでくれ。 （三度繰り返されるラッパの響き） ぼくたちのことだね・・・。もう着いたのか。でも、ねえ、タミーノ・・・ぼくたち、この先どうなっちゃうんだろ？ （タミーノは天を指し示す） PAPAGENO 神々に尋ねろと？ （タミーノは身振りでうなずく） PAPAGENO そうだね、ぼくら以上に、神々のほうが多くご存知だろうし！ （三度繰り返されるラッパの響き） （タミーノはパパゲーノを力ずくで引っ張って行く） PAPAGENO そんなに急ぐなよ。焼肉にされるまでには、まだじゅうぶん時間があるって。 （退場） ZWEITER AKT ERSTER AUFTRITT Das Theater ist ein Palmwald; alle Bäume sind silberartig, die Blätter von Gold. 18 Sitze von Blättern; auf einem jeden Sitze steht eine Pyramide, und ein grosses schwarzes Horn mit Gold gefasst. In der Mitte ist die grösste Pyramide, auch die grössten Bäume. Sarastro nebst andern Priestern kommen in feyerlichen Schritten, jeder mit einem Palmzweige in der Hand. Ein Marsch mit blasenden Instrumenten begleitet den Zug. Nr. 9 - Marsch der Priester SARASTRO nach einer Pause Ihr, in dem Weisheitstempel eingeweihten Diener der grossen Göttin Osiris und Isis! - Mit reiner Seele erklär ich euch, dass unsre heutige Versammlung eine der wichtigsten unsrer Zeit ist. - Tamino, ein Königssohn, 20 Jahre seines Alters, wandelt an der nördlichen Pforte unsers Tempels, und seufzt mit tugendvollem Herzen nach einem Gegenstande, den wir alle mit Mühe und Fleiss erringen müssen. - Kurz, dieser Jüngling will seinen nächtlichen Schleyer von sich reissen, und ins Heiligthum des grössten Lichtes blicken. - Diesen Tugendhaften zu bewachen, ihm freundschaftlich die Hand zu bieten, sey heute eine unsrer wichtigsten Pflichten. ERSTER PRIESTER steht auf Er besitzt Tugend? SARASTRO Tugend! ZWEYTER PRIESTER Auch Verschwiegenheit? SARASTRO Verschwiegenheit! DRITTER PRIESTER Ist wohlthätig? SARASTRO Wohlthätig! - haltet ihr ihn für würdig, so folgt meinem Beyspiele. sie blasen drey Mahl in die Hörner Gerührt über die Einigkeit eurer Herzen, dankt Sarastro euch im Namen der Menschheit. - Mag immer das Vorurtheil seinen Tadel über uns Eingeweihte auslassen! - Weisheit und Vernunft zerstückt es gleich dem Spinnengewebe. - Unsere Säulen erschüttern sie nie. Jedoch, das böse Vorurtheil soll schwinden; und es wird schwinden, so bald Tamino selbst die Grösse unserer schweren Kunst besitzen wird. - Pamina, das sanfte, tugendhafte Mädchen haben die Götter dem holden Jünglinge bestimmt; dies ist der Grundstein, warum ich sie der stolzen Mutter entriss. - Das Weib dünkt sich gross zu seyn; hoft durch Blendwerk und Aberglauben das Volk zu berücken, und unsern festen Tempelbau zu zerstören. Allein, das soll sie nicht; Tamino, der holde Jüngling selbst, soll ihn mit uns befestigen, und als Eingeweihter der Tugend Lohn, dem Laster aber Strafe seyn. Der dreymahlige Accord in den Hörnern wird von allen wiederholt. SPRECHER steht auf Grosser Sarastro, deine weisheitsvollen Reden erkennen und bewundern wir; allein, wird Tamino auch die harten Prüfungen, so seiner warten, bekämpfen? - Verzeih, dass ich so frey bin, dir meinen Zweifel zu eröffnen! mich bangt es um den Jüngling. Wenn nun im Schmerz dahin gesunken sein Geist ihn verliesse, und er dem harten Kampfe unterläge. - Er ist Prinz! - SARASTRO Noch mehr - Er ist Mensch! SPRECHER Wenn er nun aber in seiner frühen Jugend leblos erblasste? SARASTRO Dann ist er Osiris und Isis gegeben, und wird der Götter Freuden früher fühlen, als wir. Der dreymahlige Accord wird wiederholt Man führe Tamino mit seinem Reisegefährten in Vorhof des Tempels ein. Zum Sprecher, der vor ihm niederkniet Und du, Freund! den die Götter durch uns zum Vertheidiger der Wahrheit bestimmten - vollziehe dein heiliges Amt, und lehre durch deine Weisheit beyde, was Pflicht der Menschheit sey, lehre sie die Macht der Götter erkennen. Sprecher geht mit einem Priester ab, alle Priester stellen sich mit ihren Palmzweigen zusammen. Nr. 10 - Arie mir Chor SARASTRO und CHOR O Isis und Osiris schenket Der Weisheit Geist dem neuen Paar! Die ihr der Wandrer Schritte lenket, Stärkt mit Geduld sie in Gefahr - Lasst sie der Prüfung Früchts sehen. Doch sollten sie zu Grabe gehen, So lohnt der Tugend kühnen Lauf, Nehmt sie in euern Wohnsitz auf. Sarastro geht voraus, dann alle ihm nach ab. ZWEYTER AUFTRITT Nacht, der Donner rollt von weitem. Das Theater verwandelt sich in einen kurzen Vorhof des Tempels, wo man Ruinen von eingefallenen Säulen und Pyramiden sieht, nebst einigen Dornbüschen. An beyden Seiten stehen practicable hohe altägyptische Thüren, welche mehr Seitengebäude vorstellen. Tamino und Papageno werden vom Sprecher und dem andern Priester hereingeführt; sie lösen ihnen die Säcke ab; die Priester gehen dann ab. TAMINO Eine schreckliche Nacht! - Papageno, bist du noch bey mir? PAPAGENO J, freylich! TAMINO Wo denkst du, dass wir uns nun befinden? PAPAGENO Wo? Ja wenns nicht finster wäre, wollt ich dirs schon sagen - aber so - Donnerschlag O weh! - TAMINO Was ists? PAPAGENO Mir wird nicht wohl bey der Sache! TAMINO Du hast Furcht, wie ich höre. PAPAGENO Furcht eben nicht, nur eiskalt läufts mir über den Rücken. Starker Donnerschlag O weh! TAMINO Was solls? PAPAGENO Ich glaube, ich bekomme ein kleines Fieber. TAMINO Pfui, Papageno! Sey ein Mann! PAPAGENO Ich wollt ich wär ein Mädchen! Ein sehr starker Donnerschlag O! O! O! Das ist mein letzter Augenblick. DRITTER AUFTRITT Sprecher und der andere Priester mit Fackeln. Vorige. SPRECHER Ihr Fremdlinge, was sucht oder fordert ihr von uns? Was treibt euch an, in unsre Mauern zu dringen? TAMINO Freundschaft und Liebe. SPRECHER Bist du bereit, es mit deinem Leben zu erkämpfen? TAMINO Ja! SPRECHER Auch wenn Tod dein Loos wäre? TAMINO Ja! SPRECHER Prinz, noch ists Zeit zu weichen - einen Schritt weiter, und es ist zu spät. - TAMINO Weisheitslehre sey mein Sieg; Pamina, das holde Mädchen mein Lohn. SPRECHER Du unterziehst jeder Prüfung dich? TAMINO Jeder! SPRECHER Reiche deine Hand mir! sie reichen sich die Hände So! ZWEYTER PRIESTER Ehe du weiter sprichst, erlaube mir ein Paar Worte mit diesem Fremdlinge zu sprechen. - Willst auch du dir Weisheitsliebe erkämpfen? PAPAGENO Kämpfen ist meine Sache nicht. - Ich verlang auch im Grunde gar keine Weisheit. Ich bin so ein Natursmensch, der sich mit Schlaf, Speise und Trank begnügt; - und wenn es ja seyn könnte, dass ich mir einmahl ein schönes Weibchen fange. ZWEYTER PRIESTER Die wirst du nie erhalten, wenn du dich nicht unsern Prüfungen unterziehst. PAPAGENO Worinn besteht diese Prüfung? - ZWEYTER PRIESTER Dich allen unsern Gesetzen unterwerfen, selbst den Tod nicht scheuen. PAPAGENO Ich bleibe ledig! SPRECHER Aber wenn du dir ein tugendhaftes, schönes Mädchen erwerben könntest? PAPAGENO Ich bleibe ledig! ZWEYTER PRIESTER Wenn nun aber Sarastro dir ein Mädchen aufbewahrt hätte, das an Farbe und Kleidung dir ganz gleich wäre? - PAPAGENO Mir gleich! Ist sie jung? ZWEYTER PRIESTER Jung und schön! PAPAGENO Und heisst? ZWEYTER PRIESTER Papagena. PAPAGENO Wie? - Pa? ZWEYTER PRIESTER Papagena! PAPAGENO Papagena? - Die möcht ich aus blosser Neugierde sehen. ZWEYTER PRIESTER Sehen kannst du sie! - - PAPAGENO Aber wenn ich sie gesehen habe, hernach muss ich sterben? Zweyter Priester macht eine zweydeutige Pantomime. PAPAGENO Ja? - Ich bleibe ledig! ZWEYTER PRIESTER Sehen kannst du sie, aber bis zur verlaufenen Zeit kein Wort mit ihr sprechen; wird dein Geist so viel Standhaftigkeit besitzen, deine Zunge in Schranken zu halten? PAPAGENO O ja! ZWEYTER PRIESTER Deine Hand! du sollst sie sehen. SPRECHER Auch dir, Prinz, legen die Götter ein heilsames Stillschweigen auf; ohne diesem seyd ihr beyde verlohren. - Du wirst Pamina sehen - aber nie sie sprechen dürfen; diess ist der Anfang eurer Prüfungszeit. - Nr. 11 - Duett ZWEITE PRIESTER UND SPRECHER Bewahret euch vor Weibertücken Dies ist des Bundes erste Pflicht! Manch weiser Mann liess sich berücken, Er fehlte, und versah sichs nicht. Verlassen sah er sich am Ende, Vergolten seine Treu mit Hohn! Vergebens rang er seine Hände, Tod und Verzweiflung war sein Lohn. Beyde Priester ab. VIERTER AUFTRITT Tamino, Papageno. PAPAGENO He, Lichter her! Lichter her! - Das ist doch wunderlich, so oft einen die Herrn verlassen, so sieht man mit offenen Augen Nichts. TAMINO Ertrag es mit Geduld, und denke, es ist der Götter Wille. FÜNFTER AUFTRITT Die drey Damen, Vorige. Aus der Versenkung DIE DREY DAMEN. Nr. 12 - Quintett Wie? Wie? Wie? Ihr an diesem Schreckensort? Nie, Nie, Nie! Kommt ihr wieder glücklich fort! Tamino, dir ist Tod geschworen. Du, Papageno! bist verlohren! PAPAGENO Nein! Nein! Nein! Das wär zu viel. TAMINO Papageno schweige still! Willst du dein Gelübde brechen, Nichts mit Weibern hier zu sprechen? PAPAGENO Ihr hört ja, wir sind beyde hin. TAMINO Stille sag ich! - Schweige still! PAPAGENO Immer still, und immer still! DIE DREY DAMEN Ganz nah ist euch die Königinn! Sie drang in Tempel heimlich ein. PAPAGENO Wie? Was? Sie soll im Tempel seyn? TAMINO Stille sag ich! - Schweige still! - Wirst du immer so vermessen, Deiner Eides - Pflicht vergessen? DIE DREY DAMEN Tamino, hör! du bist verlohren! Gedenke an die Königinn! Man zischelt viel sich in die Ohren Von dieser Priester falschem Sinn. TAMINO für sich Ein Weiser prüft und achtet nicht, Was der verworfne Pöbel spricht. DIE DREY DAMEN Man sagt, wer ihrem Bunde schwört, Der ist verwünscht mit Haut und Haar. PAPAGENO Das wär beym Teufel unerhört! Sagt an Tamino, ist das wahr? TAMINO Geschwätz von Weibern nachgesagt, Von Heuchlern aber ausgedacht. PAPAGENO Doch sagt es auch die Königinn. TAMINO Sie ist ein Weib, hat Weibersinn, Sey still, mein Wort sey dir genug, Denk deiner Pflicht, und handle klug. DIE DREY DAMEN zu Tamino Warum bist du mit uns so spröde? Tamino deutet bescheiden, dass er nicht sprechen darf. DIE DREY DAMEN Auch Papageno schweigt. - so rede! PAPAGENO Ich möchte gerne - Woll - TAMINO Still! PAPAGENO heimlich Ihr seht, dass ich nicht soll - TAMINO Still! TAMINO UND PAPAGENO Dass ich / du nicht kann / kannst das Plaudern lassen, Ist wahrlich eine Schand für mich / dich. ALLE FÜNF Wir / Sie müssen sie / uns mit Schaam verlassen Es plaudert keiner sicherlich! Von festem Geiste ist ein Mann, Er denket, was er sprechen kann. Die Damen wollen gehen, die Eingeweihten schreyen von innen. PRIESTER Entweiht ist die heilige Schwelle, Hinab mit den Weibern zur Hölle! Ein schrecklicher Accord mit allen Instrumenten, Donner, Blitz und Schlag zugleich zwey starke Donner. Die Damen stürzen in die Versenkung. DIE DREY DAMEN O weh! O weh! O weh! PAPAGENO fällt vor Schrecken zu Boden; singt, da schon alle Musik stille ist O weh! O weh! O weh! Dann fängt der dreymahlige Accord an. SECHSTER AUFTRITT Tamino, Papageno, Sprecher, zweyter Priester mit Fackeln. SPRECHER Heil dir, Jüngling! dein standhaft männliches Betragen hat gesiegt. Zwar hast du noch manch rauhen und gefährlichen Weg zu wandern, den du aber durch Hülfe der Götter glücklich endigen wirst. - Wir wollen also mit reinem Herzen unsere Wanderschaft weiter fortsetzen. er giebt ihm den Sack um So! nun komm. ab ZWEYTER PRIESTER Was seh ich! Freund, siehe auf! wie ist dir? PAPAGENO Ich lieg in einer Ohnmacht! ZWEYTER PRIESTER Auf! Sammle dich und sey ein Mann! PAPAGENO sieht auf Aber sagt mir nur meine lieben Herren, warum muss ich denn alle die Qualen und Schrecken empfinden? - Wenn mir ja die Götter eine Papagena bestimmten, warum denn mit so vielen Gefahren sie erringen? ZWEYTER PRIESTER Diese neugierige Frage mag deine Vernunft dir beantworten. Komm! meine Pflicht heischt dich weiter zu führen. er giebt ihm den Sack um PAPAGENO Bey so einer ewigen Wanderschaft möcht einem wohl die Liebe auf immer vergehen. ab SIEBENTER AUFTRITT Das Theater verwandelt sich in einen angenehmen Garten; Bäume, die nach Art eines Hufeisens gesetzt sind; in der Mitte siebt eine Laube von Blumen und Rosen, worin Pamina schläft. Der Mond beleuchtet ihr Gesicht. Ganz vorn steht eine Rasenbank, Monostatos kommt, setzt sich nach einer Pause. MONOSTATOS. Ha, da find ich ja die spröde Schöne! - Und um so einer geringen Pflanze wegen wollte man meine Fusssohlen behämmern? - Also bloss dem heutigen Tage hab ichs zu verdanken, dass ich noch mit heiler Haut auf die Erde trete. - Hm! - Was war denn eigentlich mein Verbrechen? - dass ich mich in eine Blume vergaffte, die auf fremden Boden versetzt war? - Und welcher Mensch, wenn er auch von gelinderm Himmelstrich daher wanderte, würde bey so einem Anblick kalt und unempfindlich bleiben? - Bey allen Sternen! das Mädchen wird noch um meinen Verstand mich bringen. - Das Feuer, das in mir glimmt, wird mich noch verzehren. er sieht sich allenthalben um Wenn ich wüsste - dass ich so ganz allein, und unbelauscht wäre - ich wagte es noch einmal. er macht sich Wind mit beyden Händen Es ist doch eine verdammte närrische Sache um die Liebe! - Ein Küsschen, dächte ich, liesse sich entschuldigen. - Nr. 13 - Arie Alles wird so piano gesungen und gespielt, als wenn die Musik in weiter Entfernung wäre. MONOSTATOS Alles fühlt der Liebe Freuden, Schnäbelt, tändelt, herzet, küsst; Und ich soll die Liebe meiden, Weil ein Schwarzer hässlich ist. Ist mir denn kein Herz gegeben? Ich bin auch den Mädchen gut? Immer ohne Weibchen leben, Wäre wahrlich Höllenglut. Drum so will ich, weil ich lebe, Schnäbeln, küssen, zärtlich seyn! - Lieber, guter Mond - vergebe Eine Weisse nahm mich ein! - Weiss ist schön! - ich muss sie küssen; Mond! verstecke dich dazu! - Sollt es dich zu seh n verdriessen, O so mach die Augen zu. Er schleicht langsam und leise hin. ACHTER AUFTRITT Die Königinn kommt unter Donner aus der mittlern Versenkung, und so, dass sie gerade vor Pamina zu stehen kommt. KÖNIGINN Zurücke! PAMINA erwacht Ihr Götter! MONOSTATOS prallt zurück O weh! - das ist - wo ich nicht irre, die Göttin der Nacht. steht ganz still PAMINA Mutter! Mutter! meine Mutter! sie fällt ihr in die Arme MONOSTATOS Mutter? hm! das muss man von weitem belauschen. schleicht ab KÖNIGINN Verdank es der Gewalt, mit der man dich mir entriss, dass ich noch deine Mutter mich nenne. - Wo ist der Jüngling, den ich an dich sandte? PAMINA Ach Mutter, der ist der Welt und den Menschen auf ewig entzogen. - Er hat sich den Eingeweihten gewidmet. KÖNIGINN Den Eingeweihten? - Unglückliche Tochter, nun bist du auf ewig mir entrissen. - PAMINA Entrissen? - O fliehen wir liebe Mutter! unter deinem Schutz trotz ich jeder Gefahr. KÖNIGINN Schutz? Liebes Kind, deine Mutter kann dich nicht mehr schützen. - Mit deines Vaters Tod gieng meine Macht zu Grabe. PAMINA Mein Vater - KÖNIGINN Übergab freywillig den siebenfachen Sonnenkreis den Eingeweihten; diesen mächtigen Sonnenkreis trägt Sarastro auf seiner Brust. - Als ich ihn darüber beredete, so sprach er mit gefalteter Stirne Weib! meine letzte Stunde ist da - alle Schätze, so ich allein besass, sind dein und deiner Tochter. - Der alles verzehrende Sonnenkreis, fiel ich hastig ihm in die Rede, - ist den Geweihten bestimmt, antwortete er - Sarastro wird ihn so männlich verwalten, wie ich bisher. - Und nun kein Wort weiter; forsche nicht nach Wesen, die dem weiblichen Geiste unbegreiflich sind. - Deine Pflicht ist, dich und deine Tochter, der Führung weiser Männer zu überlassen. PAMINA Liebe Mutter, nach allem dem zu schliessen, ist wohl auch der Jüngling auf immer für mich verloren. KÖNIGINN Verloren, wenn du nicht, eh die Sonne die Erde färbt, ihn durch diese unterirdische Gewölber zu fliehen beredest. - Der erste Schimmer des Tages entscheidet, ob er ganz Dir oder den Eingeweihten gegeben sey. PAMINA Liebe Mutter, dürft ich den Jüngling als Eingeweihten denn nicht auch eben so zärtlich lieben, wie ich ihn jetzt liebe? - Mein Vater selbst war ja mit diesen weisen Männern verbunden; er sprach jederzeit mit Entzücken von ihnen, preisste ihre Güte - ihren Verstand - ihre Tugend. - Sarastro ist nicht weniger tugendhaft. - KÖNIGINN Was hör ich! - Du meine Tochter könntest die schändlichen Gründe dieser Barbaren vertheidigen? - So einen Mann lieben, der mit meinem Todfeinde verbunden, mit jedem Augenblick mir meinen Sturz bereiten würde? - Siehst du hier diesen Stahl? - Er ist für Sarastro geschliffen. - Du wirst ihn tödten, und den mächtigen Sonnenkreis mir überliefern. PAMINA Aber liebste Mutter! - KÖNIGINN Kein Wort! Nr. 14 - Arie KÖNIGIN DER NACHT Der Hölle Rache kocht in meinem Herzen, Tod und Verzweiflung flammet um mich her! Fühlt nicht durch dich Sarastro Todesschmerzen, So bist du meine Tochter nimmermehr. Verstossen sey auf ewig und verlassen, Zertrümmert alle Bande der Natur, Wenn nicht durch dich Sarastro wird erblassen! Hört Rache, - Götter! - Hört der Mutter Schwur. Sie versinkt. NEUNTER AUFTRITT Pamina mit dem Dolch in der Hand. PAMINA Morden soll ich? - Götter! das kann ich nicht. - Das kann ich nicht! steht in Gedanken ZEHNTER AUFTRITT Vorige, Monostatos. MONOSTATOS kommt schnell, heimlich, und sehr freudig Sarastros Sonnenkreis hat also auch seine Wirkung? - Und diesen zu erhalten, soll das schöne Mädchen ihn morden? - Das ist Salz in meine Suppe! PAMINA Aber schwur sie nicht bey allen Göttern, mich zu verstossen, wenn ich den Dolch nicht gegen Sarastro kehre? - Götter! - Was soll ich nun? MONOSTATOS Dich mir anvertrauen! nimmt ihr den Dolch PAMINA erschrickt und schreyt Ha! MONOSTATOS Warum zitterst du? vor meiner schwarzen Farbe, oder vor dem ausgedachten Mord? PAMINA schüchtern Du weisst also? - MONOSTATOS Alles. - Ich weiss sogar, dass nicht nur dein, sondern auch deiner Mutter Leben in meiner Hand steht. - Ein einziges Wort sprech ich zu Sarastro, und deine Mutter wird in diesem Gewölbe in eben dem Wasser, das die Eingeweihten reinigen soll, wie man sagt, ersäufft. - Aus diesem Gewölbe kommt sie nun sicher nicht mehr mit heiler Haut, wenn ich es will. - Du hast also nur einen Weg, dich und deine Mutter zu retten. PAMINA Der wäre? MONOSTATOS Mich zu lieben. PAMINA zitternd für sich Götter! MONOSTATOS freudig Das junge Bäumchen jagt der Sturm auf meine Seite. - Nun Mädchen! - Ja, oder nein! PAMINA entschlossen Nein! MONOSTATOS voll Zorn Nein? und warum? weil ich die Farbe eines schwarzen Gespensts trage? - Nicht? - Ha so stirb! er ergreift sie bey der Hand PAMINA Monostatos, sieh mich hier auf meinen Knien - schone meiner! MONOSTATOS Liebe oder Tod! - Sprich! dein Leben steht auf der Spitze. PAMINA Mein Herz hab ich dem Jüngling geopfert. MONOSTATO Was kümmert mich dein Opfer. - Sprich! - PAMINA entschlossen Nie! ELFTER AUFTRITT Vorige, Sarastro. MONOSTATOS So fahr denn hin! Sarastro hält ihn schnell ab Herr, mein Unternehmen ist nicht strafbar; man hat deinen Tod geschworen, darum wollt ich dich rächen. SARASTRO Ich weis nur allzuviel. - Weiss, dass deine Seele eben so schwarz als dein Gesicht ist. - Auch würde ich dies schwarze Unternehmen mit höchster Strenge an dir bestrafen, wenn nicht ein böses Weib, das zwar eine sehr gute Tochter hat, den Dolch dazu geschmiedet hätte. - Verdank es der bösen Handlung des Weibes, dass du ungestraft davon ziehst. - Geh! - MONOSTATOS im Abgehen Jetzt such ich die Mutter auf, weil die Tochter mir nicht beschieden ist. ab ZWÖLFTER AUFTRITT Vorige, ohne Monostatos. PAMINA Herr, strafe meine Mutter nicht, der Schmerz über meine Abwesenheit. SARASTRO Ich weis alles. - Weis, dass sie in unterirdischen Gemächern des Tempels herumirrt, und Rache über mich und die Menschheit kocht; - Allein, du sollst sehen, wie ich mich an deiner Mutter räche. - Der Himmel schenke nur dem holdem Jüngling Muth und Standhaftigkeit in seinem frommen Vorsatz, denn bist du mit ihm glücklich, und deine Mutter soll beschämt nach ihrer Burg zurücke kehren. Nr. 15 - Arie SARASTRO In diesen heil gen Hallen, Kennt man die Rache nicht. - Und ist ein Mensch gefallen; Führt Liebe ihn zur Pflicht. Dann wandelt er an Freundeshand, Vergnügt und froh ins bess re Land. In diesen heiligen Mauern Wo Mensch den Menschen liebt, Kann kein Verräther lauern, Weil man dem Feind vergiebt. Wen solche Lehren nicht erfreu n, Verdienet nicht ein Mensch zu seyn. Gehen beyde ab. DREYZEHNTER AUFTRITT Das Theater verwandelt sich in eine Halle, wo das Flugwerk gehen kann. Das Flugwerk ist mit Rosen und Blumen umgeben, wo sich sodann eine Thüre öfnet. Tamino und Papageno werden ohne Säcke, von den zwey Priestern herein geführt. Ganz vorne sind zwey Rasenbänke. SPRECHER Hier seyd ihr euch beyde allein überlassen. - Sobald die röchelnde Posaune tönt, dann nehmt ihr euren Weg dahin. - Prinz, lebt wohl! Wir sehen uns, eh ihr ganz am Ziele seyd. - Noch einmal, vergesst das Wort nicht Schweigen. ab ZWEYTER PRIESTER Papageno, wer an diesem Ort sein Stillschweigen bricht, den strafen die Götter durch Donner und Blitz. Leb wohl! ab VIERZEHNTER AUFTRITT Tamino, Papageno. Tamino setzt sich auf eine Rasenbank. PAPAGENO nach einer Pause Tamino! TAMINO verweisend St! PAPAGENO Das ist ein lustiges Leben! - Wär ich lieber in meiner Strohhütte, oder im Walde, so hört ich doch manchmahl einen Vogel pfeifen. TAMINO verweisend St! PAPAGENO Mit mir selbst werd ich wohl sprechen dürfen; und auch wir zwey können zusammen sprechen, wir sind ja Männer. TAMINO verweisend St! PAPAGENO singt La la la - la la la! - Nicht einmal einen Tropfen Wasser bekommt man bey diesen Leuten; viel weniger sonst was. FÜNFZEHNTER AUFTRITT Ein altes hässliches Weib kommt aus der Versenkung, hält auf einer Tasse einen grossen Becher mit Wasser. PAPAGENO sieht sie lang an Ist das für mich? WEIB Ja, mein Engel! PAPAGENO sieht sie wieder an, trinkt Nicht mehr und nicht weniger als Wasser. - Sag du mir, du unbekannte Schöne! werden alle fremde Gäste auf diese Art bewirthet? WEIB Freylich mein Engel! PAPAGENO So, so! - Auf die Art werden die Fremden auch nicht gar zu häufig kommen. - WEIB Sehr wenig. PAPAGENO Kann mirs denken. - Geh Alte, setze dich her zu mir, mir ist die Zeit verdammt lange. - Sag du mir, wie alt bist du denn? WEIB Wie alt? PAPAGENO Ja! WEIB 18 Jahr, und 2 Minuten. PAPAGENO 18 Jahr, und 2 Minuten? WEIB Ja! PAPAGENO Ha ha ha! - Ey du junger Engel! Hast du auch einen Geliebten? WEIB J freylich! PAPAGENO Ist er auch so jung wie du? WEIB Nicht gar, er ist um 10 Jahre älter. - PAPAGENO Um 10 Jahr ist er älter als du? - Das muss eine Liebe seyn! - Wie nennt sich denn dein Liebhaber? WEIB Papageno! PAPAGENO erschrickt, Pause Papageno? - Wo ist er denn dieser Papageno? WEIB Da sitzt er mein Engel! PAPAGENO Ich wär dein Geliebter? WEIB Ja mein Engel! PAPAGENO nimmt schnell das Wasser, und spritzt sie ins Gesicht Sag du mir, wie heisst du denn? WEIB Ich heisse - starker Donner, die Alte hinkt schnell ab PAPAGENO O weh! Tamino steht auf, droht ihm mit dem Finger. PAPAGENO Nun sprech ich kein Wort mehr! SECHZEHNTER AUFTRITT Die drey Knaben kommen in einem mit Rosen bedeckten Flugwerk. In der Mitte steht ein schöner gedeckter Tisch. Der eine hat die Flöte, der andere das Kästchen mit Glöckchen. DIE DREY KNABEN Nr. 16 - Terzett Seyd uns zum zweytenmal willkommen Ihr Männer in Sarastros Reich! Er schickt, was man euch abgenommen, Die Flöte und die Glöckchen euch. Wollt ihr die Speisen nicht verschmähen, So esset, trinket froh davon! Wenn wir zum drittenmal uns sehen, Ist Freude eures Muthes Lohn! Tamino Muth! Nah ist das Ziel, Du Papageno, schweige still. Unter dem Terzett setzen sie den Tisch in die Mitte, und fliegen auf. SIEBZEHNTER AUFTRITT Tamino, Papageno. PAPAGENO Tamino, wollen wir nicht speisen? - - Tamino bläst auf seiner Flöte. PAPAGENO Blase du nur fort auf deiner Flöte, ich will meine Brocken blasen. - Herr Sarastro führt eine gute Küche. - Auf die Art, ja da will ich schon schweigen, wenn ich immer solche gute Bissen bekomme. er trinkt Nun will ich sehen, ob auch der Keller so gut bestellt ist. - Ha! - Das ist Götterwein! - die Flöte schweigt ACHTZEHNTER AUFTRITT Pamina, Vorige. PAMINA freudig Du hier? - Gütige Götter! Dank euch, dass ihr mich diesen Weg führtet. - Ich hörte deine Flöte - und so lief ich pfeilschnell dem Tone nach. - Aber du bist traurig? - Sprichst nicht eine Silbe mit deiner Pamina? TAMINO seufzt Ah! winkt ihr fortzugehen. PAMINA Wie? ich soll dich meiden? liebst du mich nicht mehr? TAMINO seufzt Ah! winkt wieder fort PAMINA Ich soll fliehen, ohne zu wissen, warum. - Tamino, holder Jüngling! hab ich dich beleidigt? - O kränke mein Herz nicht noch mehr. - Bey dir such ich Trost - Hülfe - und du kannst mein liebevolles Herz noch mehr kränken? - Liebst du mich nicht mehr? Tamino seufzt PAMINA Papageno, sage du mir, sag, was ist meinem Freund? Papageno hat einen Brocken in dem Mund, hält mit beyden Händen die Speisen zu, winkt fortzugehen. PAMINA Wie? auch du? - Erkläre mir wenigstens die Ursache eures Stillschweigens. - - PAPAGENO St! er deutet ihr fortzugehen. PAMINA O das ist mehr als Kränkung - mehr als Tod! Pause Liebster, einziger Tamino! - Nr. 17 - Arie Ach ich fühls, es ist verschwunden - Ewig hin der Liebe Glück! Nimmer kommt ihr, Wonnestunden, Meinem Herzen mehr zurück. Sieh Tamino, diese Thränen Fliessen Trauter, dir allein. Fühlst du nicht der Liebe Sehnen, So wird Ruh im Tode seyn. ab NEUNZEHNTER AUFTRITT Tamino, Papageno. PAPAGENO isst hastig Nicht wahr Tamino, ich kann auch schweigen, wenns seyn muss. - Ja, bey so einem Unternehmen da bin ich Mann. er trinkt Der Herr Koch, und der Herr Kellermeister sollen leben. - Dreymaliger Posaunenton Tamino winkt Papageno, dass er gehen soll. PAPAGENO Gehe du nur voraus, ich komm schon nach. Tamino will ihn mit Gewalt fortführen. PAPAGENO Der Stärkere bleibt da! Tamino droht ihm, und geht rechts ab; ist aber links gekommen. PAPAGENO Jetzt will ich mirs erst recht wohl seyn lassen. - Da ich in meinem besten Appetit bin, soll ich gehen. - Das lass ich wohl bleiben. - Ich gieng jetzt nicht fort, und wenn Herr Sarastro seine sechs Löwen an mich spannte. die Löwen kommen heraus, er erschrickt O Barmherzigkeit, ihr gütigen Götter! - Tamino, rette mich! die Herrn Löwen machen eine Mahlzeit aus mir. Tamino bläst sein Flöte, kommt schnell zurück; die Löwen gehen hinein. Tamino winkt ihm. PAPAGENO Ich gehe schon! heiss du mich einen Schelmen, wenn ich dir nicht in allem folge. dreymaliger Posaunenton Das geht uns an. - Wir kommen schon. - Aber hör einmal, Tamino, was wird denn noch alles mit uns werden? Tamino deutet gen Himmel. PAPAGENO Die Götter soll ich fragen? Tamino deutet ja. PAPAGENO Ja, die könnten uns freylich mehr sagen, als wir wissen! dreymaliger Posaunenton Tamino reisst ihn min Gewalt fort. PAPAGENO Eile nur nicht so, wir kommen noch immer zeitlich genug, um uns braten zu lassen. ab この日本語テキストは、 クリエイティブ・コモンズ・ライセンス の下でライセンスされています。@wagnerianchan Mozart,Wolfgang Amadeus/Die Zauberflöte/II-2
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CHAPTER XXIV UP CHAPTER XXVI CHAPTER XXV Matthew Insists on Puffed Sleeves Matthew was having a bad ten minutes of it. He had come into the kitchen, in the twilight of a cold, gray December evening, and had sat down in the woodbox corner to take off his heavy boots, unconscious of the fact that Anne and a bevy of her schoolmates were having a practice of "The Fairy Queen" in the sitting room. Presently they came trooping through the hall and out into the kitchen, laughing and chattering gaily. They did not see Matthew, who shrank bashfully back into the shadows beyond the woodbox with a boot in one hand and a bootjack in the other, and he watched them shyly for the aforesaid ten minutes as they put on caps and jackets and talked about the dialogue and the concert. Anne stood among them, bright eyed and animated as they; but Matthew suddenly became conscious that there was something about her different from her mates. And what worried Matthew was that the difference impressed him as being something that should not exist. Anne had a brighter face, and bigger, starrier eyes, and more delicate features than the other; even shy, unobservant Matthew had learned to take note of these things; but the difference that disturbed him did not consist in any of these respects. Then in what did it consist? Matthew was haunted by this question long after the girls had gone, arm in arm, down the long, hard-frozen lane and Anne had betaken herself to her books. He could not refer it to Marilla, who, he felt, would be quite sure to sniff scornfully and remark that the only difference she saw between Anne and the other girls was that they sometimes kept their tongues quiet while Anne never did. This, Matthew felt, would be no great help. He had recourse to his pipe that evening to help him study it out, much to Marilla s disgust. After two hours of smoking and hard reflection Matthew arrived at a solution of his problem. Anne was not dressed like the other girls! The more Matthew thought about the matter the more he was convinced that Anne never had been dressed like the other girls--never since she had come to Green Gables. Marilla kept her clothed in plain, dark dresses, all made after the same unvarying pattern. If Matthew knew there was such a thing as fashion in dress it was as much as he did; but he was quite sure that Anne s sleeves did not look at all like the sleeves the other girls wore. He recalled the cluster of little girls he had seen around her that evening--all gay in waists of red and blue and pink and white--and he wondered why Marilla always kept her so plainly and soberly gowned. Of course, it must be all right. Marilla knew best and Marilla was bringing her up. Probably some wise, inscrutable motive was to be served thereby. But surely it would do no harm to let the child have one pretty dress--something like Diana Barry always wore. Matthew decided that he would give her one; that surely could not be objected to as an unwarranted putting in of his oar. Christmas was only a fortnight off. A nice new dress would be the very thing for a present. Matthew, with a sigh of satisfaction, put away his pipe and went to bed, while Marilla opened all the doors and aired the house. The very next evening Matthew betook himself to Carmody to buy the dress, determined to get the worst over and have done with it. It would be, he felt assured, no trifling ordeal. There were some things Matthew could buy and prove himself no mean bargainer; but he knew he would be at the mercy of shopkeepers when it came to buying a girl s dress. After much cogitation Matthew resolved to go to Samuel Lawson s store instead of William Blair s. To be sure, the Cuthberts always had gone to William Blair s; it was almost as much a matter of conscience with them as to attend the Presbyterian church and vote Conservative. But William Blair s two daughters frequently waited on customers there and Matthew held them in absolute dread. He could contrive to deal with them when he knew exactly what he wanted and could point it out; but in such a matter as this, requiring explanation and consultation, Matthew felt that he must be sure of a man behind the counter. So he would go to Lawson s, where Samuel or his son would wait on him. Alas! Matthew did not know that Samuel, in the recent expansion of his business, had set up a lady clerk also; she was a niece of his wife s and a very dashing young person indeed, with a huge, drooping pompadour, big, rolling brown eyes, and a most extensive and bewildering smile. She was dressed with exceeding smartness and wore several bangle bracelets that glittered and rattled and tinkled with every movement of her hands. Matthew was covered with confusion at finding her there at all; and those bangles completely wrecked his wits at one fell swoop. "What can I do for you this evening, Mr. Cuthbert?" Miss Lucilla Harris inquired, briskly and ingratiatingly, tapping the counter with both hands. "Have you any--any--any--well now, say any garden rakes?" stammered Matthew. Miss Harris looked somewhat surprised, as well she might, to hear a man inquiring for garden rakes in the middle of December. "I believe we have one or two left over," she said, "but they re upstairs in the lumber room. I ll go and see." During her absence Matthew collected his scattered senses for another effort. When Miss Harris returned with the rake and cheerfully inquired "Anything else tonight, Mr. Cuthbert?" Matthew took his courage in both hands and replied "Well now, since you suggest it, I might as well--take--that is--look at--buy some--some hayseed." Miss Harris had heard Matthew Cuthbert called odd. She now concluded that he was entirely crazy. "We only keep hayseed in the spring," she explained loftily. "We ve none on hand just now." "Oh, certainly--certainly--just as you say," stammered unhappy Matthew, seizing the rake and making for the door. At the threshold he recollected that he had not paid for it and he turned miserably back. While Miss Harris was counting out his change he rallied his powers for a final desperate attempt. "Well now--if it isn t too much trouble--I might as well--that is--I d like to look at--at--some sugar." "White or brown?" queried Miss Harris patiently. "Oh--well now--brown," said Matthew feebly. "There s a barrel of it over there," said Miss Harris, shaking her bangles at it. "It s the only kind we have." "I ll--I ll take twenty pounds of it," said Matthew, with beads of perspiration standing on his forehead. Matthew had driven halfway home before he was his own man again. It had been a gruesome experience, but it served him right, he thought, for committing the heresy of going to a strange store. When he reached home he hid the rake in the tool house, but the sugar he carried in to Marilla. "Brown sugar!" exclaimed Marilla. "Whatever possessed you to get so much? You know I never use it except for the hired man s porridge or black fruit cake. Jerry s gone and I ve made my cake long ago. It s not good sugar, either--it s coarse and dark--William Blair doesn t usually keep sugar like that." "I--I thought it might come in handy sometime," said Matthew, making good his escape. When Matthew came to think the matter over he decided that a woman was required to cope with the situation. Marilla was out of the question. Matthew felt sure she would throw cold water on his project at once. Remained only Mrs. Lynde; for of no other woman in Avonlea would Matthew have dared to ask advice. To Mrs. Lynde he went accordingly, and that good lady promptly took the matter out of the harassed man s hands. "Pick out a dress for you to give Anne? To be sure I will. I m going to Carmody tomorrow and I ll attend to it. Have you something particular in mind? No? Well, I ll just go by my own judgment then. I believe a nice rich brown would just suit Anne, and William Blair has some new gloria in that s real pretty. Perhaps you d like me to make it up for her, too, seeing that if Marilla was to make it Anne would probably get wind of it before the time and spoil the surprise? Well, I ll do it. No, it isn t a mite of trouble. I like sewing. I ll make it to fit my niece, Jenny Gillis, for she and Anne are as like as two peas as far as figure goes." "Well now, I m much obliged," said Matthew, "and--and--I dunno--but I d like--I think they make the sleeves different nowadays to what they used to be. If it wouldn t be asking too much I--I d like them made in the new way." "Puffs? Of course. You needn t worry a speck more about it, Matthew. I ll make it up in the very latest fashion," said Mrs. Lynde. To herself she added when Matthew had gone "It ll be a real satisfaction to see that poor child wearing something decent for once. The way Marilla dresses her is positively ridiculous, that s what, and I ve ached to tell her so plainly a dozen times. I ve held my tongue though, for I can see Marilla doesn t want advice and she thinks she knows more about bringing children up than I do for all she s an old maid. But that s always the way. Folks that has brought up children know that there s no hard and fast method in the world that ll suit every child. But them as never have think it s all as plain and easy as Rule of Three--just set your three terms down so fashion, and the sum ll work out correct. But flesh and blood don t come under the head of arithmetic and that s where Marilla Cuthbert makes her mistake. I suppose she s trying to cultivate a spirit of humility in Anne by dressing her as she does; but it s more likely to cultivate envy and discontent. I m sure the child must feel the difference between her clothes and the other girls . But to think of Matthew taking notice of it! That man is waking up after being asleep for over sixty years." Marilla knew all the following fortnight that Matthew had something on his mind, but what it was she could not guess, until Christmas Eve, when Mrs. Lynde brought up the new dress. Marilla behaved pretty well on the whole, although it is very likely she distrusted Mrs. Lynde s diplomatic explanation that she had made the dress because Matthew was afraid Anne would find out about it too soon if Marilla made it. "So this is what Matthew has been looking so mysterious over and grinning about to himself for two weeks, is it?" she said a little stiffly but tolerantly. "I knew he was up to some foolishness. Well, I must say I don t think Anne needed any more dresses. I made her three good, warm, serviceable ones this fall, and anything more is sheer extravagance. There s enough material in those sleeves alone to make a waist, I declare there is. You ll just pamper Anne s vanity, Matthew, and she s as vain as a peacock now. Well, I hope she ll be satisfied at last, for I know she s been hankering after those silly sleeves ever since they came in, although she never said a word after the first. The puffs have been getting bigger and more ridiculous right along; they re as big as balloons now. Next year anybody who wears them will have to go through a door sideways." Christmas morning broke on a beautiful white world. It had been a very mild December and people had looked forward to a green Christmas; but just enough snow fell softly in the night to transfigure Avonlea. Anne peeped out from her frosted gable window with delighted eyes. The firs in the Haunted Wood were all feathery and wonderful; the birches and wild cherry trees were outlined in pearl; the plowed fields were stretches of snowy dimples; and there was a crisp tang in the air that was glorious. Anne ran downstairs singing until her voice reechoed through Green Gables. "Merry Christmas, Marilla! Merry Christmas, Matthew! Isn t it a lovely Christmas? I m so glad it s white. Any other kind of Christmas doesn t seem real, does it? I don t like green Christmases. They re not green-- they re just nasty faded browns and grays. What makes people call them green? Why--why--Matthew, is that for me? Oh, Matthew!" Matthew had sheepishly unfolded the dress from its paper swathings and held it out with a deprecatory glance at Marilla, who feigned to be contemptuously filling the teapot, but nevertheless watched the scene out of the corner of her eye with a rather interested air. Anne took the dress and looked at it in reverent silence. Oh, how pretty it was--a lovely soft brown gloria with all the gloss of silk; a skirt with dainty frills and shirrings; a waist elaborately pintucked in the most fashionable way, with a little ruffle of filmy lace at the neck. But the sleeves--they were the crowning glory! Long elbow cuffs, and above them two beautiful puffs divided by rows of shirring and bows of brown-silk ribbon. "That s a Christmas present for you, Anne," said Matthew shyly. "Why--why--Anne, don t you like it? Well now--well now." For Anne s eyes had suddenly filled with tears. "Like it! Oh, Matthew!" Anne laid the dress over a chair and clasped her hands. "Matthew, it s perfectly exquisite. Oh, I can never thank you enough. Look at those sleeves! Oh, it seems to me this must be a happy dream." "Well, well, let us have breakfast," interrupted Marilla. "I must say, Anne, I don t think you needed the dress; but since Matthew has got it for you, see that you take good care of it. There s a hair ribbon Mrs. Lynde left for you. It s brown, to match the dress. Come now, sit in." "I don t see how I m going to eat breakfast," said Anne rapturously. "Breakfast seems so commonplace at such an exciting moment. I d rather feast my eyes on that dress. I m so glad that puffed sleeves are still fashionable. It did seem to me that I d never get over it if they went out before I had a dress with them. I d never have felt quite satisfied, you see. It was lovely of Mrs. Lynde to give me the ribbon too. I feel that I ought to be a very good girl indeed. It s at times like this I m sorry I m not a model little girl; and I always resolve that I will be in future. But somehow it s hard to carry out your resolutions when irresistible temptations come. Still, I really will make an extra effort after this." When the commonplace breakfast was over Diana appeared, crossing the white log bridge in the hollow, a gay little figure in her crimson ulster. Anne flew down the slope to meet her. "Merry Christmas, Diana! And oh, it s a wonderful Christmas. I ve something splendid to show you. Matthew has given me the loveliest dress, with SUCH sleeves. I couldn t even imagine any nicer." "I ve got something more for you," said Diana breathlessly. "Here-- this box. Aunt Josephine sent us out a big box with ever so many things in it--and this is for you. I d have brought it over last night, but it didn t come until after dark, and I never feel very comfortable coming through the Haunted Wood in the dark now." Anne opened the box and peeped in. First a card with "For the Anne-girl and Merry Christmas," written on it; and then, a pair of the daintiest little kid slippers, with beaded toes and satin bows and glistening buckles. "Oh," said Anne, "Diana, this is too much. I must be dreaming." "I call it providential," said Diana. "You won t have to borrow Ruby s slippers now, and that s a blessing, for they re two sizes too big for you, and it would be awful to hear a fairy shuffling. Josie Pye would be delighted. Mind you, Rob Wright went home with Gertie Pye from the practice night before last. Did you ever hear anything equal to that?" All the Avonlea scholars were in a fever of excitement that day, for the hall had to be decorated and a last grand rehearsal held. The concert came off in the evening and was a pronounced success. The little hall was crowded; all the performers did excellently well, but Anne was the bright particular star of the occasion, as even envy, in the shape of Josie Pye, dared not deny. "Oh, hasn t it been a brilliant evening?" sighed Anne, when it was all over and she and Diana were walking home together under a dark, starry sky. "Everything went off very well," said Diana practically. "I guess we must have made as much as ten dollars. Mind you, Mr. Allan is going to send an account of it to the Charlottetown papers." "Oh, Diana, will we really see our names in print? It makes me thrill to think of it. Your solo was perfectly elegant, Diana. I felt prouder than you did when it was encored. I just said to myself, `It is my dear bosom friend who is so honored. " "Well, your recitations just brought down the house, Anne. That sad one was simply splendid." "Oh, I was so nervous, Diana. When Mr. Allan called out my name I really cannot tell how I ever got up on that platform. I felt as if a million eyes were looking at me and through me, and for one dreadful moment I was sure I couldn t begin at all. Then I thought of my lovely puffed sleeves and took courage. I knew that I must live up to those sleeves, Diana. So I started in, and my voice seemed to be coming from ever so far away. I just felt like a parrot. It s providential that I practiced those recitations so often up in the garret, or I d never have been able to get through. Did I groan all right?" "Yes, indeed, you groaned lovely," assured Diana. "I saw old Mrs. Sloane wiping away tears when I sat down. It was splendid to think I had touched somebody s heart. It s so romantic to take part in a concert, isn t it? Oh, it s been a very memorable occasion indeed." "Wasn t the boys dialogue fine?" said Diana. "Gilbert Blythe was just splendid. Anne, I do think it s awful mean the way you treat Gil. Wait till I tell you. When you ran off the platform after the fairy dialogue one of your roses fell out of your hair. I saw Gil pick it up and put it in his breast pocket. There now. You re so romantic that I m sure you ought to be pleased at that." "It s nothing to me what that person does," said Anne loftily. "I simply never waste a thought on him, Diana." That night Marilla and Matthew, who had been out to a concert for the first time in twenty years, sat for a while by the kitchen fire after Anne had gone to bed. "Well now, I guess our Anne did as well as any of them," said Matthew proudly. "Yes, she did," admitted Marilla. "She s a bright child, Matthew. And she looked real nice too. I ve been kind of opposed to this concert scheme, but I suppose there s no real harm in it after all. Anyhow, I was proud of Anne tonight, although I m not going to tell her so." "Well now, I was proud of her and I did tell her so fore she went upstairs," said Matthew. "We must see what we can do for her some of these days, Marilla. I guess she ll need something more than Avonlea school by and by." "There s time enough to think of that," said Marilla. "She s only thirteen in March. Though tonight it struck me she was growing quite a big girl. Mrs. Lynde made that dress a mite too long, and it makes Anne look so tall. She s quick to learn and I guess the best thing we can do for her will be to send her to Queen s after a spell. But nothing need be said about that for a year or two yet." "Well now, it ll do no harm to be thinking it over off and on," said Matthew. "Things like that are all the better for lots of thinking over." CHAPTER XXIV UP CHAPTER XXVI 今日 - | 昨日 - | Total - since 05 June 2007 last update 2007-06-05 01 20 30 (Tue)